We Interview Daata Editions Artist Collective Leo Gabin | STRANGELOVE
20 March 2017 • Mark Westall
A compilation of fights where bullies get knocked the f’ out, karma is a bitch.
20 March 2017 • Mark Westall
A compilation of fights where bullies get knocked the f’ out, karma is a bitch.
27 August 2016 • Mark Westall
Lisson gallery’s exhibition Performer/Audience/Mirror, which celebrates video art and had previously opted for an online extension rather than a private view in the gallery, is now going to host a Virtual closing party.
1 August 2016 • Tabish Khan
Creepy fairytales, a flaming football, abandoned Soviet plans, space and retro gaming
17 April 2016 • Tabish Khan
Ancient Egypt, ravens, balance, humour, Fukushima and portraiture.
11 April 2016 • Mark Westall
From skateboarding clams and swimsuit performance art to QE3’s maiden voyage, Sarah McCrory’s Glasgow International 2016 festival programme is awash with freewheeling energy, but some big shows sink under their own weight
20 March 2016 • Syndicate
Baltic Centre for Contemporary Art, Gateshead
This mesmerising collection of film and video work by the Israeli artist is full of dangling clues and subliminal messages, playing fast and loose with our credulity
4 January 2016 • Tabish Khan
The paranormal, war crimes, selfies, portraits and landscapes
16 November 2015 • Tabish Khan
A feminine nihilist gospel song, mechanical jaws, a tropical school, refugees and Middle Eastern art
28 September 2015 • Tabish Khan
A glass baby, pastel, opulence, chairs, tulips and dark paintings
18 September 2015 • Mark Westall
Bedwyr Williams and John Akomfrah on the list for UK’s premier contemporary art prize, to be announced in 2017
12 July 2015 • Tabish Khan
This week’s top 5 features a hoarder’s squat, coloured smoke, contemporary vanitas painting, haunting photographs and vibrant street art
9 July 2015 • Mark Westall
David Blandy’s new commission for Bloomberg SPACE, explores empire, civilisation, London and language in a hypnotically rotating, mutating installation of video and voice.
8 July 2015 • Tabish Khan
The Biennale was brilliant, but what could be better?
24 June 2015 • Mark Westall
Inspired by ancient scrolls just imagine how cool video art would look like on it.
13 May 2015 • Lee Sharrock
Arriving in Venice for the vernissage days whilst elections were in full swing, I was surprised to be confronted by a politically charged Biennale. Colonialism, Capitalism, Socialism, contemporary slavery and migration were some of the themes running through the 56th Edition of La Biennale di Venezia, which opened not long after a period of several weeks during which more than 1,800 migrants – many of them African – drowned whilst attempting to flee across the Mediterranean to Europe..
21 April 2015 • Mark Westall
A new platform for collectors and enthusiasts to explore art made with video, sound and web has been announced today in New York.
20 March 2015 • Mark Westall
The artist’s new Paris show combines works that play on adult fears with childlike instructions and repetitive movement – a compelling lesson for young and old alike
1 March 2015 • Tabish Khan
This week’s top 5 includes landscapes, a horse drawn car, bright paintings, subtle photography and war
12 February 2015 • Mark Westall
Just Announced:
15 January 2015 • Mark Westall
In Pieces” he questions how authenticity can be established in the age of social media, when upon upload, content is instantaneously dislocated from its original context.
15 December 2014 • Mark Westall
Sleepless nights amid neon lights: the first 24, listless and lonely hours in the Japanese capital explored in new ethereal video/soundscape collaboration.
9 December 2014 • Tabish Khan
After my original article on ‘What’s wrong with video art?‘ triggered responses from curator David Gryn and gallerist Ian Rosenfeld, a panel discussion was held with all three authors in Rosenfeld Porcini gallery, chaired by founder of FAD Mark Westall.
7 December 2014 • Staff
The subversive south London collective staged parties, launched an online channel, and now makes subversive and often participatory art works for the digital generation
5 December 2014 • daniel barnes
Ever since video killed the radio star, it has acted with impunity. Its latest crime has been to gorge on the Turner Prize.