FEATURES Archives

Paul’s Gallery of the Month: SLQS Gallery

10 June 2026 • Paul Carey-Kent

Founded by Sarah Le Quang Sang in 2024, SLQS Gallery has quickly established itself as one of Shoreditch’s most compelling new spaces

Paul’s Book of the Month: Marguerite Humeau – Auguries

3 June 2026 • Paul Carey-Kent

Paul Carey-Kent reviews Auguries, a major publication exploring Marguerite Humeau’s ambitious sculptures, ecological thinking and land art projects.

Paul’s Work of the Month: Hurvin Anderson: Country Club: Chicken Wire, 2008, at Tate Britain

27 May 2026 • mark westall

Hurvin Anderson: Country Club: Chicken Wire, 2008 – oil on canvas, 240 x 347 cm Hurvin Anderson’s superb 80-work retrospective… Read More

Paul’s Fairs: Photo London 2026

15 May 2026 • Paul Carey-Kent

Conversations at this year’s Photo London (14th-17th May) often started with evaluation of the 11th edition’s move from the characterful… Read More

Paul’s Gallery of the Month: Drawing Room

13 May 2026 • Paul Carey-Kent

The gallery was founded by curators Mary Doyle, Kate Macfarlane and Katharine Stout

Paul’s Book of the Month: Craig Easton, An Extremely Un-get-atable Place

7 May 2026 • Paul Carey-Kent

In 1946, George Orwell (1903-50) wrote an entertaining piece for the Evening Standard, setting out his eleven rules for making the perfect cup of tea.

Mayday, May Day! Gallery Weekend Berlin 2026

5 May 2026 • Camille Moreno

A critical dispatch from Gallery Weekend Berlin 2026, exploring the tension between commerce, politics and artistic dissent —

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

28 April 2026 • Paul Carey-Kent

What do you want in abstract painting – materiality, gesture, content of some sort? Cristallina Fischetti gives you all three

Paul’s Gallery of the Month: Arcadia Missa

21 April 2026 • Paul Carey-Kent

Rózsa Farkas founded Arcadia Missa straight out of college in 2011

Paul’s Work of the Month – Sigmar Polke: Untitled, 1980-81

15 April 2026 • Paul Carey-Kent

Paul’s Work of the Month explores Sigmar Polke’s Untitled (1980–81), a layered painting blending Dada wit, classical reference and contemporary critique.