The Seventh Artists Self-Publishers’ Fair takes place this Saturday 30 July 2022 at Conway Hall in London WC1. Free to… Read More
There are 1,465 works in this year’s Royal Academy Summer Exhibition, a third of them in the two galleries curated by Grayson Perry, who declares his approach ‘democratic’. So there’s no lack of options for making a selection of, say, six.
I’ve seen a lot of Edvard Munch lately: in Oslo’s new 13-floor ‘Munch’ and even newer National Museum (both of which have versions of ‘The Scream’ and plenty else) and at the Courtauld in London. ‘Masterpieces from Bergen’ (to 3 Sept) has a comparatively modest but high standard 18 canvasses.
Painting sounds like a nice easy job: roll into the studio when your hangover allows, slosh a few colours around until you see something you like, then celebrate with another drink. Beats the project management required to make films; or the material sourcing, labour and heft of sculpture; let alone the disciplines of a real job…
Edward Munch, very much a painter, is easily Norway’s most famous artist, and a new 13-floor building – ‘Munch’ as it is styled – was recently opened in his honour. Walking around Oslo, though, it would be easy to think that sculpture is the national preference: statues dot the streets and I visited four sculpture parks. For example:
Who was the greatest British painter of the 20th century? Plenty, I suppose would make a case for David Hockney, Lucien Freud, Howard Hodgkin and Stanley Spencer. I’d rank Paul Nash, Eric Ravilious, Ben Nicholson, Patrick Caulfield and Frank Auerbach higher, but I suspect few would share my view. Perhaps that leaves the most plausible candidates as Francis Bacon, Bridget Riley and Walter Sickert – and Sickert (1860-1942) gets by far the least attention these days.
Lubaina Himid: from ‘Swallow Hard: The Lancaster Dinner Service’, 2007 Two current shows mine parallel strategies with effect to foreground… Read More
It’s easy to find that, because there’s a time limit on changing exhibitions, you concentrate on those becasue you might miss them and never quite get round to looking at institutions’ permanent holdings, deep in the memory as they may be. So on visiting major new shows recently, I’ve also thought: let’s take a ride out, see what we can find…
Like almost everyone, I guess, I take lots of photos with my phone without worrying too much about how I do so. Might I benefit from a book of photographic instruction? David Yarrow, known for his stunning black and white wildlife shots, has just published ‘How I Make Photographs’*, so here was a chance.
Now the show in Leeds presents a 50-50 mixture of glass specialists and wider-ranging artists working in the material, all illuminatingly categorised by the material property foregrounded in the processes used. ‘SOLID’ features cast or moulded glass; ‘GAS’, sculptures made by blowing into the glass; ‘LIQUID’ the results of manipulating molten glass. Here’s one of each that order: