FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London
I had thought some of London’s galleries might close for good at the end of lockdown, but there’s no sign of any such trend. Rather, several have made good use of the last year’s hiatuses to relocate, typically to superior spaces.
There’s a surfeit of new things to see just now, as pretty much every commercial gallery in London – and… Read More
Skarstedt’s fascinating new exhibition Painter / Sculptor brings together a sculpture and a painting by nine artists who, says the… Read More
No doubt some galleries will close, but to counter that there are some new developments. Sticking with the Mayfair zone:
Curiously, my first two visits without appointment on my first trip to London this year featured three part vertically-stacked abstractions –
There’s something enticing about knowing what artists look like, even though it isn’t usually relevant to the work. Performance artists… Read More
Who’s the most important Dutch photographer of the 20th century? I’m a fan of the largely street-based work of Ed van der Elsken (1925-90).
Kim Tschang-Yeul: ‘Waterdrops’, 1979 ‘If I were called in / To construct a religion’, wrote Philip Larkin, ‘I should make… Read More
Two market developments have attracted recent attention: A Damien Hirst edition limited by time and Beeple’s NFT sale..
In a fair the size of FIAC – 215 galleries, normally in Paris in October but also online in March this year – there’s no shortage of themes one can bring together. Here are four offerings across which I detected some sort of connection:
SOUTH SOUTH is an online community to bring together galleries with at least 40% of their artists coming from the ‘Global South’. Its lockdown-driven first commercial initiative with 50 galleries runs to March 7th.
Considering it’s fairly small (750,000) a lot of interesting work is made by artists in or from Winnipeg in Canada –
Much modern art uses unusual materials. The primacy of paint, canvas and marble are long gone. Often the material feeds… Read More
What is it like to be an octopus? Would that be a better model for how an AI might be regarded as ‘intelligent’ than assessing how its responses differ from the human? And what would that mean for the way people look at the world?
Normally, I see virtually everything. Now I see everything virtually. But it’s not all bad. Not surprisingly, the big galleries have upped their game: see for example….
In a playful yet pointed counter to the human-centric view of the world, London-based Italian artist Ludovica Gioscia collaborates with her cat, Arturo. I was pleased to obtain an exclusive interview with him just as they opened a major show at Baert Gallery in Los Angeles.
The annual Trinity Buoy Wharf Drawing Prize exhibition – virtual, of course, this year – includes plenty of drawings directly referencing the locked down circumstances of their making.
The London Art Fair’s online edition runs 18th-31st Jan. As in the physical versions, the best material is fairly evenly split between 20th century British classics and contemporary work – so here are two picks from each category:
Back in the days when people asked ‘does my bum look big in this?’ rather than ‘does my bum look… Read More
There’s a mode of work, developing from the found object tradition, which simply presents lots of something to potentially transformative effect.
Just how long does Christmas last? Maybe it’s because covid time passes oddly, but I’ve recently noticed some artworks which might be taken as stretching it out somewhat…
One characteristic of the computer is its potential to cause glitches. That’s been of interest to artists, either as a… Read More
Artist jewellery isn’t rare, but it is normally produced by specialists in collaboration with the artist using the artist’s motifs,… Read More
Already it seems somewhat normal that Art Basel Miami and its numerous satellites were held online this year. That doesn’t mean the sun and parties and in-person experiences of art aren’t missed, but they’re not easy to get to anyway… Here are four works which interested me among the 2600 works ‘shown’:
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