FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London
I’ve followed Seventeen closely since it was established in 2006 by former artist David Hoyland at 17 Kingsland Road, Shoreditch – retaining the name when it edged into Dalston by moving a mile up the road to the less snappily numbered block 270-276.
More people should visit Patrick Heide’s space:
Autumn is a good time to visit the Venice Biennale, it being cooler and less crowded than earlier in the year. Moreover, the 2022 edition is considered one of the best and the central exhibition, ‘The Milk of Dreams’, has been particularly widely praised. So here are my tips for the first time visitor:
Artists are, logically enough, the centre of the art world. And that needn’t be simply for making art. They might… Read More
Milly Peck has an excellent show up now in Vitrine’s new space in Fitzrovia (to 18th Sept). The painter Emma… Read More
Seoul, seems to be the upcoming art city at the moment. This week sees the first Korean edition of Frieze,… Read More
It’s a seamless art transition and only a hundred yards to move from the solo shows of Milton Avery (1885-1965) to that of his daughter March Avery (born 1932, and still painting six days a week in her New York studio).
Hiraki Sawa: installation view of the Attic Shed in flown, 2022 Fancy a quiet stroll around some shows? It’s tricky… Read More
Every five years the massive documenta show in Kassel, Germany, looks to anticipate the art world’s curatorial trends. documenta fifteen (to Sept 25) has been curated by Indonesian artist collective Lumbung inviting other collectives to issue invites.
Perhaps it is to be expected that plenty of flowers featured in London galleries at the height of an over-hot summer. For example:
The Seventh Artists Self-Publishers’ Fair takes place this Saturday 30 July 2022 at Conway Hall in London WC1. Free to… Read More
It’s easy to think Fontana’s ‘cut’ works are all the same, aside from the number of slashes and the colour…. Read More
There are 1,465 works in this year’s Royal Academy Summer Exhibition, a third of them in the two galleries curated by Grayson Perry, who declares his approach ‘democratic’. So there’s no lack of options for making a selection of, say, six.
Masterpiece is unusual in bringing together ‘art’ and ‘non-art’, as well as ancient, old, modern and new, and a wide geographical range. Here are ten highlights from the 130 stands to illustrate the mix:
I’ve seen a lot of Edvard Munch lately: in Oslo’s new 13-floor ‘Munch’ and even newer National Museum (both of which have versions of ‘The Scream’ and plenty else) and at the Courtauld in London. ‘Masterpieces from Bergen’ (to 3 Sept) has a comparatively modest but high standard 18 canvasses.
Art Basel and it’s satellite fair seem to be back to normal this year. There’s plenty of variety – more so than at Frize London last year –
Is grey a colour? Some claim so because it contains every other colour. The tradition of grisaille paintings suggests otherwise, given it is set up as a contrast with painting in colour.
What makes art so inexhaustible? Not only does it responds to a vast and ever-changing world, but the artist chooses… Read More
Camille Pissarro in 1900 Do you fancy owning a Pissarro? Perhaps you’ve been to his most substantial UK show in… Read More
When you’ve often seen an image, it can become easy to ignore it. The Photographers Gallery’s sales department currently features the great Mexican Manuel Álvarez Bravo (1902-2002)
Painting sounds like a nice easy job: roll into the studio when your hangover allows, slosh a few colours around until you see something you like, then celebrate with another drink. Beats the project management required to make films; or the material sourcing, labour and heft of sculpture; let alone the disciplines of a real job…
Edward Munch, very much a painter, is easily Norway’s most famous artist, and a new 13-floor building – ‘Munch’ as it is styled – was recently opened in his honour. Walking around Oslo, though, it would be easy to think that sculpture is the national preference: statues dot the streets and I visited four sculpture parks. For example:
Who was the greatest British painter of the 20th century? Plenty, I suppose would make a case for David Hockney, Lucien Freud, Howard Hodgkin and Stanley Spencer. I’d rank Paul Nash, Eric Ravilious, Ben Nicholson, Patrick Caulfield and Frank Auerbach higher, but I suspect few would share my view. Perhaps that leaves the most plausible candidates as Francis Bacon, Bridget Riley and Walter Sickert – and Sickert (1860-1942) gets by far the least attention these days.
It’s pretty easy to get between Thomas Dane’s two galleries on Duke Street – where you can currently see two shows linked by the unusual topic of transporting art.
Submit your work to be featured on FAD