Selma Parlour’s machine code

Technology has caught up with Selma Parlour. The abstract painter has long made work which looks to be modelled on screen and then machined onto the linen which she favours. Now she has accessed three actual ‘machines’ to augment her brush and add a further conceptual dimension to her explorations of non-referential form, luminous colour, precision draftsmanship, pictorial language, and flatness.

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