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Reporting from ‘Miami’

Already it seems somewhat normal that Art Basel Miami and its numerous satellites were held online this year. That doesn’t mean the sun and parties and in-person experiences of art aren’t missed, but they’re not easy to get to anyway… Here are four works which interested me among the 2600 works ‘shown’:

Amy Sillman Twice Removed

Even at the opposite end of the gallery, each individual component of the painting was so intense that, when combined, a rich mix of emotion exuded from the canvas. Each work, as a matter of fact, in American painter Amy Sillman’s exhibition, Twice Removed seemed to have this effect.

Less is More Online?

If the first round of ‘lockdown art online’ was characterised by the sheer volume of material, from galleries and fairs alike, the second UK lockdown coincides with attempts to enhance the focus. That was visible in two recent fairs: Art Basel and TEFAF (The European Fine Art Fair, here in its New York edition but online).  ‘OVR:20c’, Art Basel’s Online Viewing Rooms.

Haunted: Richard Hambleton’s One Man Show

The show revealed twenty-two original works by Canadian/ American street artist Richard Hambleton, (30″ x 84″ acrylic on Japanese Kinwashi paper,) in conjunction with American photographer Franc Palaia’s images of Hambleton’s original “Shadowman” street art series

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