6 September 2023 • Jasper Spires
Sparklehorse is perhaps best known for the intimacy of his music. Walking along a narrow road between independent rock and experimental electronic production, Mark Linkous’ flagship project has been beloved by fans for its delicate compositions, emotional intensity, and the heartfelt connection it provided to the man himself.
27 March 2023 • Jasper Spires
There’s a total deluge hammering down on East London for the opening of Annka Kultys’ latest show. It’s a joint presentation of works by painter Juliette Sturlèse and digital artist Marjan Moghaddam
17 December 2022 • Jasper Spires
It’s something of a Silence of the Lambs meets Badlands-style love story,
3 October 2022 • Jasper Spires
Fashion is all about the face. The surface made beautiful is the absolute, and as an art that flourishes under… Read More
16 June 2022 • Jasper Spires
It’s been a hot start to the summer, with London once more packing its trains, taxis and bars with another… Read More
10 June 2022 • Jasper Spires
Gagosian keeps curating exhibitions with fascinating intellectual bents, but Haunted Realism stands out amongst the rest.
17 March 2022 • Jasper Spires
“Postwar Modern” collects not only some of the most impactful artwork produced following the Second World War, but draws crucial focus to the impact that trauma can have on the subjectivity of the artist.
3 February 2022 • Jasper Spires
The first thing to notice about Van Gogh Self-Portraits showing at the Courtauld is that there are always two Vincents… Read More
6 December 2021 • Jasper Spires
In the combined age of computer-generated images, and concepts which sound more like selling points than reasons to make something,… Read More
15 October 2021 • Jasper Spires
Running now in Shoreditch, Deeep AI Art Fair is a showcase of the latest up and comers making art using… Read More
27 September 2021 • Jasper Spires
In a seamless dialogue between the past, Romantic ideals hidden amongst present culture, and the philosophical desires of individuals enraptured… Read More
22 September 2021 • Jasper Spires
Anne Baldassari is the General Curator of The Morozov Collection: Icons of Modern Art exhibition, showing from 22nd September at… Read More
13 September 2021 • Jasper Spires
The quintessential characteristic of London’s weather is that you can never tell what it’s going to do next. Forming a… Read More
24 June 2021 • Jasper Spires
The air is hot, stifling really, as the city heaves itself into one of those irrepressible cycles that make up… Read More
8 June 2021 • Jasper Spires
At the fringes of Mayfair, a striking pair of artists have built twinned monuments to the power of disruption and… Read More
16 May 2021 • Jasper Spires
Paolo Canevari’s art has been sculpted from the shadows of the modern world, but he hasn’t lost hope. Working with pitch-black rubber, used tires, and exhausted oil, he turns the waste products and omnipresent aftermath of industry into poignant structures that highlight how human beings have reshaped the world.
12 May 2021 • Jasper Spires
Paolo Canevari’s latest exhibition distils his artwork’s contention between the power of mankind, and the possibilities of polyvalence. Showing now at the Cardi Gallery in London, Canevari’s retrospective “Self-Portrait / Autoritratto” wrestles with his metamorphic practice, developed over the last thirty years.
28 April 2021 • Jasper Spires
Gretchen Andrew’s most recent exhibition “Other Forms of Travel” is a playful testament to the power of art in the… Read More
20 April 2021 • Jasper Spires
Rachel Whiteread’s latest exhibition, “Internal Objects’, is an ode to lost bodies and the ghosts of our language. Showing now at Gagosian in London, Whiteread’s sculpture gives a unique incarnation to the uncanny, through its focus on the specific process by which familiar shapes and objects can be made alien to their observer.
8 April 2021 • Jasper Spires
Arturo Herrera’s most recent work, exhibited in “From This Day Forwards” is a phenomenological shotgun blast. Showing at the Thomas Dane Gallery in London, soon to be freed from the restraints of a Covid-19 Lockdown, Herrera’s dynamic collage works most prominently to overwhelm the senses, in a blitz of overlapping imagery and colour, even as we vehemently struggle to understand it.
