PREVIEW: Benedict Redgrove: Everything & Nothing
Display Gallery is to present a series of expressionist cloudscapes by photographer Benedict Redgrove.
Author: daniel barnes
I am a philosopher. My main area of research is the relationship between capitalism and culture. I also write for Aesthetica magazine and am resident philosopher for The Butcher's Apron radio show. Currently working on a book about the legacy of the YBAs. I am available for commissions. www.danielbarnes.org
INTERVIEW: Hayden Kays: Overdrawn and On the Money
Young British artist Hayden Kays returns this spring with a new body of work.
Daniel’s Value and Ideas #100: Why Damien Makes Such Good Art
Readers of this column will have noticed that I am the only person in the world who actually likes Damien Hirst despite not making any money from him.
Daniel’s Value and Ideas #99: Gazing into the Abyss
In his latest exhibition, Gazing Ball Paintings, at Gagosian New York, Koons oversteps the mark of decency and demonstrates that the most horrifying thing about his art is its sincerity.
Daniel’s Value and Ideas #98: Francis Bacon’s Pound of Flesh
On the 24th anniversary of Francis Bacon’s death, 28th April 2016, the artist’s first definitive catalogue raisonne will be published, including over 100 previously unseen works and missing 4 that remain untraceable.
Daniel’s Value and Ideas #97: Dirty Words and Wholesome Ideas
If you think about it, you’ll realise you’ve had a funny feeling too. London has felt incomplete, bereft as if part of the furniture is missing but you cannot quite put your finger on what it is or where it has gone.
Daniel’s Value and Ideas #96: On Good and Bad, Part III
In the fight again relativism and subjectivity in aesthetic judgements, I have been outlining how we might approach objective judgements of value.
Daniel’s Value and Ideas #95: From Asian Future to Rights Now
One of GFest’s core functions is to remind us that although some of us are privileged to live without fear of state persecution or backward mob rule, not everybody in the world is. Thus the themes of this year’s festival is aptly (Complacent Present)…Fragile Future?
Daniel’s Value and Ideas #94: Nobody Puts Basquiat in the Corner
The perennial question that dare not speak its name on pain of heresy is this: what, precisely, is it about Basquiat that inspires such adoration and extravagance?
Daniel’s Value and Ideas #93: On Good and Bad, Part II
The death of Brian Sewell heralded the death of art criticism. Or so I said. It was an inflammatory claim, designed to rile, but there was a grain of anxious serious in it. Sewell was not just a contrarian, he was an astute critic of refined tastes and a conscientious objector.
Daniel’s Value and Ideas #92: Stevens Strikes Again
A mystery Basquiat has appeared in Nashville, Tennessee. An untitled, unknown Basquiat was just gathering dust somewhere until Stevens auction house plucked it from obscurity.
INTERVIEW: Daniel Barnes talks to Emma Gibson about her new solo show ‘Shelling Out’
Gibson’s work is characterised by a fascination with the subtle details of everyday life, where seemingly insignificant characters become heroes, strange happenings morph into life-changing epics and insignificant flourishes are seen as clues to a deeper mystery.
Daniel’s Value and Ideas #91: This Little Piggy Went to Market…
At this point in Frieze – that’s three days in for paupers, and five days for the elite – it is customary to begin to round up the highlights and to deliver a critical judgement.
Daniel’s Value and Ideas #90: On Good and Bad, Part I
Criticism and all aesthetic debate is founded on a toxic belief in subjectivity which reduces to relativism.
Daniel’s Value and Ideas #89: The Collector Who Cried Wolf
Leonardo DiCaprio has joined the ranks of the world’s top art collectors..
Daniel’s Value and Ideas #88: The Life of Brian and the Death of Art Criticism
The death of Brian Sewell is a great tragedy. Never again will the acres of art criticism generated by Britain’s newspapers be punctuated by a single shard of intellectual rigour.
Daniel’s Value and Ideas #87: Unhappy as Larry
Gagosian has been sued by the Archiv Franz West over its latest exhibition of the late artist’s furniture,
Daniel’s Value and Ideas #86: Not So Standard Fair
Art fairs have become ubiquitous in the landscape of the art market. Once you’ve seen one fair, you’ve seen them all: row upon makeshift row of booths desperate to stand out, populated by art that stirs a faint sense of déjà vu and expectant gallerists wielding bottles of champagne. And there’s always a throng of revellers who are there to be seen and those of us waving our press passes as if we matter to the whole circus. But START is different.
Daniel’s Value and Ideas #85: Successful Artist Thought to Himself, ‘Oops, I’ve Got a Lot of Money’…
There is a documentary in which Damien Hirst gives a tour of his Glosucestershire estate, Toddington Manor, explaining his elaborate plans for its restoration. In one spectacular room after another, with an air of affected genius and childish glee, Damien points at the space and exclaims, ‘You could put a shark in there!’.
Daniel’s Value and Ideas #84: The Seaside Town They Forgot to Close Down
The Art Car Boot Fair, which traditionally takes place annually in Brick Lane, travels to Margate this year.
Daniel’s Value and Ideas #83: In Search of the Warhol Truth
An auction house in Mississippi has sold a rare early Warhol for $247,000. The portrait of fashion designer Coco Chanel,
Daniel’s Value and Ideas #82: The Punk Potter and the Philosopher’s Moan
August is a quiet time in the artworld. Galleries have summer shows that drag on, nothing new opens and everyone who can afford to take a month off goes on holiday. The rest of us are still here, not exactly slaving away because there’s nothing to slave at, but languishing in the doldrums. Now the first shards of light are starting to creep through…
Daniel’s Value and Ideas #81: Top Doig
Artnet has published its list of the top ten most expensive living British artists at auction for 2015. The list betrays a gentle change in the current of British art,
Daniel’s Value and Ideas #80: The Importance of Being Tracey
Being Tracey Emin is a full time occupation, although probably not as labour intensive as being Gilbert & George. She is saddled with the unenviable task of perpetuating the myth of Mad Tracey from Margate, which is the source of all her power, while also drifting gently into middle age and maturing as an artist to ensure her longevity. So one wonders how she has time for lavish birthday parties, building controversial new houses and judging drawing competitions.