REVIEW: Soft Power DAS MINSK
8 April 2024 • Camille Moreno
A shadowy silhouette of a hunched figure shows a woman on the move. Set against a map of “Germanie” and… Read More
8 April 2024 • Camille Moreno
A shadowy silhouette of a hunched figure shows a woman on the move. Set against a map of “Germanie” and… Read More
9 March 2024 • Camille Moreno
“Look, the Covid,” a visitor remarks to their companion in Spanish, and gestures towards a large, warted, pepto-pink sphere suspended… Read More
25 January 2024 • Camille Moreno
The first and most charged picture met by the visitor in Thaddaes Ropac’s current exhibition, The Joseph Beuys Portraits —a series of… Read More
14 December 2023 • Camille Moreno
Reading the exhibition text at Barbican’s RE/SISTERS, A Lens on Gender and Ecology, one could get the impression that environmentalism and feminism were cut from the same collateral cloth
6 November 2023 • Camille Moreno
Four moles shelter in a fully furnished hollow. Two ailing children sleep, snug in their bed. They whistle and snore… Read More
16 September 2023 • Camille Moreno
Paul McCarthy’s show at Max Hetzler Gallery goes from zero to one hundred (thousand). The exhibition is not for the faint of heart, but unlike irate audiences in Paris who shuddered at the site of an evocatively tapered Christmas tree, the Berlin public might be challenged for different reasons.