Water Everywhere
24 March 2021 • Paul Carey-Kent
Kim Tschang-Yeul: ‘Waterdrops’, 1979 ‘If I were called in / To construct a religion’, wrote Philip Larkin, ‘I should make… Read More
Tag: Paul’s Art Stuff
Not Quite in Winnipeg
24 February 2021 • Paul Carey-Kent
Considering it’s fairly small (750,000) a lot of interesting work is made by artists in or from Winnipeg in Canada –
Being an Octopus
17 February 2021 • Paul Carey-Kent
What is it like to be an octopus? Would that be a better model for how an AI might be regarded as ‘intelligent’ than assessing how its responses differ from the human? And what would that mean for the way people look at the world?
Virtually There
10 February 2021 • Paul Carey-Kent
Normally, I see virtually everything. Now I see everything virtually. But it’s not all bad. Not surprisingly, the big galleries have upped their game: see for example….
Exclusive Artist Interview: Arturo the Cat
3 February 2021 • Paul Carey-Kent
In a playful yet pointed counter to the human-centric view of the world, London-based Italian artist Ludovica Gioscia collaborates with her cat, Arturo. I was pleased to obtain an exclusive interview with him just as they opened a major show at Baert Gallery in Los Angeles.
Human Relations in the Trinity Buoy Wharf Drawing Prize 2020
27 January 2021 • Paul Carey-Kent
The annual Trinity Buoy Wharf Drawing Prize exhibition – virtual, of course, this year – includes plenty of drawings directly referencing the locked down circumstances of their making.
Now and Then at the London Art Fair
20 January 2021 • Paul Carey-Kent
The London Art Fair’s online edition runs 18th-31st Jan. As in the physical versions, the best material is fairly evenly split between 20th century British classics and contemporary work – so here are two picks from each category:
What to Make of John Kacere?
13 January 2021 • Paul Carey-Kent
Back in the days when people asked ‘does my bum look big in this?’ rather than ‘does my bum look… Read More
Christmas Carrying On…
30 December 2020 • Paul Carey-Kent
Just how long does Christmas last? Maybe it’s because covid time passes oddly, but I’ve recently noticed some artworks which might be taken as stretching it out somewhat…
Means of Glitching
23 December 2020 • Paul Carey-Kent
One characteristic of the computer is its potential to cause glitches. That’s been of interest to artists, either as a… Read More
Jewellery by Artists
16 December 2020 • Paul Carey-Kent
Artist jewellery isn’t rare, but it is normally produced by specialists in collaboration with the artist using the artist’s motifs,… Read More
Do Try This at Home
28 October 2020 • Paul Carey-Kent
For the ‘festival in a box’ – in Director Shoair Mavlain’s words – ‘the artworks travelled to people’s homes, classrooms and community spaces’, so eliminating the reliance on personal travel ‘which itself relies on economic privilege’ and allowing the viewer to ‘become the curator’ by choosing how to hang the work.
What is that Really?
21 October 2020 • Paul Carey-Kent
‘What is that really?’ is often a sensible question once you’re used to the tricky ways of artists. Four current shows are evidence.
1:54 – Real Life Art from Africa
10 October 2020 • Paul Carey-Kent
You could say that 1:54 is the Frieze fair this week – at any rate it’s the only real life fair in the city during ‘Frieze week’. So it seems only fair to pay it attention.
Do’s and Don’ts of Instagram
7 October 2020 • Paul Carey-Kent
You can’t put everything on the increasingly central art medium of Instagram, as it’s censored. Specifically, any photographic image of genitals, naked buttocks or bare female breasts are out. The fact that it’s art isn’t held to make any difference, which has caused some annoyance.
Small was Splendid: Tintype 2010-20
29 September 2020 • Paul Carey-Kent
I was sorry to hear that the small but splendid Tintype Gallery is sailing into the sunset.
A Big Hand for Baselitz
16 September 2020 • Paul Carey-Kent
The past few years have tended to see Georg Baselitz in fine, adventurous form, at least in the studio (less so in the interview room, where his ludicrous generalisations about female painters have tended to put people off). And you have to hand it to him here: well into his ninth decade, Baselitz has come up with a series of works quite unlike anything he has done before – a whole show of hands, many of them monumental
Running Around the Park with Richard Schur, John Peter Askew and Emma Cousin
8 July 2020 • Paul Carey-Kent
Three artists mentioned that they liked the poems, and Richard Schur titled a painting after one of them. Then I asked the other two if they would like to link a work to a poem, so here I am virtually running around with three of my favourite artists, replacing my photos of the park with their art:
Surprises from Art UK
1 July 2020 • Paul Carey-Kent
Art UK is the online home for every public art collection in the UK, recently represented to make 250,000 works easily searchable with a facility to curate your own show. Faced with so many options, I took took the simple approach of looking for less usual examples from some of my favourite C20th artists.
Trouble Online at Art Basel
21 June 2020 • Paul Carey-Kent
Art Basel’s online viewing rooms can be visited until 26 June. There is plenty of trouble in the world for that art to reflect: not just the virus, the economy, wars, terrorism and global warming but also bad attitudes. Here’s my selection of work which addresses the anti-discriminatory agenda so effectively foregrounded by ‘Me Too’ and ‘Black Lives Matter’…
3 from The #artistsupportpledge
17 June 2020 • Paul Carey-Kent
Perhaps the most heartening coronavirus development in art has been the development of the Artist Support Pledge, whereby works are offered for sale for up to £200, and when an artist sells £1,000-worth they pledge to spend £200 supporting another artist. Over 250,000 works have now been posted on Instagram at #artistsupportpledge, generating over £20m! Naturally, quality is variable at that quantity, but it is easy enough to access artists you like through their own Instagram accounts. I posted some examples in my 22 April column. Here are three more who appealed to me…
The Way Mark Manders Thinks
10 June 2020 • Paul Carey-Kent
Mark Manders makes striking work which originates in a unique way of thinking. Antwerp’s Zeno X Gallery is currently showing two typical pieces in the online version of Art Brussels.
Abstract Rainbows
3 June 2020 • Paul Carey-Kent
Here are three rainbow-channelling works which I like: superficially similar concatenations of rectangular blocks which have many underlying differences.
On Kawara on 27 May
27 May 2020 • Paul Carey-Kent
Everyone knows the ‘date paintings’ of On Kawara (1933-2014), collectively known as ‘Today’. 0r do they? Can you answer the following questions?
