Quantcast
A Big Hand for Baselitz - FAD Magazine

FAD Magazine

FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London

A Big Hand for Baselitz

Georg Baselitz: 'Manopola - Fausthandschuh', 2019[ FAD magazine
Georg Baselitz: ‘Manopola – Fausthandschuh’, 2019

The past few years have tended to see Georg Baselitz in fine, adventurous form, at least in the studio (less so in the interview room, where his ludicrous generalisations about female painters have tended to put people off). And you have to hand it to him here: well into his ninth decade, Baselitz has come up with a series of works quite unlike anything he has done before – a whole show of hands, many of them monumental. They have, as the show’s title has it, ‘Darkness Goldness’ (at White Cube, Mason’s Yard to 14th Nov). They could be his own ageing hand painting itself – he isn’t one for assistants.

Having said which, Baselitz does distance his hand through a neat manoeuvre: these are not direct paintings, but monotypes made by painting on a different canvas, then pressing that against the canvas to be shown. That reduces the realism likely, but then Baselitz says they’re not of particular hands – his or anyone else’s – they’re more in the nature of symbolic representations, and though some are titled for other artists, they are homages, not hand portraits. Most of them appear to be dangling down, but that subverts the trope for which Baselitz is most famous: inverting his subjects in order to emphasise the abstract qualities of the work. Here, by way of a little joke perhaps, is a subject for which we can’t tell if they are ‘the right way up’ or not. Nor are these just drawings and paintings, there are also a set of wall-based sculptural reliefs, the first Baselitz has made since 2013. Baselitz modelled these in clay, 1.8 metres long, on tables in his Munich studio, then sent them away to be cast into fire-gilded bronze.

Baselitz also has a solo exhibition at Michael Werner gallery to 24th  October 2020

Art writer and curator Paul Carey-Kent sees a lot of shows: we asked him to jot down whatever came into his head

Categories

Tags

Related Posts

SEMI-LOCKED-DOWN VIEWING

There’s a surfeit of new things to see just now, as pretty much every commercial gallery in London – and […]

The Great Painter-Sculptors

Skarstedt’s fascinating new exhibition Painter / Sculptor brings together a sculpture and a painting by nine artists who, says the […]

Spring Growth

No doubt some galleries will close, but to counter that there are some new developments. Sticking with the Mayfair zone:

Trending Articles

Submit Your Work

Submit your work to be featured on FAD