A Big Hand for Baselitz

The past few years have tended to see Georg Baselitz in fine, adventurous form, at least in the studio (less so in the interview room, where his ludicrous generalisations about female painters have tended to put people off). And you have to hand it to him here: well into his ninth decade, Baselitz has come up with a series of works quite unlike anything he has done before – a whole show of hands, many of them monumental

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