Enough of the crowding and superficiality of Frieze London’s opening day, this year I opted for the more measured pace… Read More
If you are wondering whether to visit The Factory Project, you’ll want to know about the practicalities, and the quality… Read More
There’s plenty of sculpture lying around outside in London now: not just the permanent stuff dotted about or combined into… Read More
When wondering what artists are seeking to express, it is worth remembering that we may not be looking at what… Read More
I grew up in St Leonards-on-Sea, the 19th century addition to Hastings. The two towns suffered a 50 year decline… Read More
Performance art had an increasingly high pre-pandemic profile, but the curtailment of live events affected that – and even in… Read More
Poetry was good in lockdown, being better suited to the screen than most literature or art. That makes it timely that two ambitious London shows currently combine art with poetry
‘A Fine Day for Seeing’ takes its title from the New York School poet and curator Frank O’Hara, who bridged… Read More
I visited three places not so typically associated with art last weekend: Beckenham, Penge and Reading. But all had their points:
In ‘Art, Life and Everything’, Julie Umerle chronicles her life as an artist from 1978-2010. She hasn’t had an easy ride – for example, she’s never been represented by a mainstream gallery – but…
Plenty of shows bring together paintings of figures and objects in unusual contexts or brought into unexpected conjunctions: the words ‘uncanny’ and ‘enigmatic’, ‘disturbing’ and ‘surreal’ are likely to be invoked. But, even if the paintings are good, you need more to turn such a display into a compelling whole. Two current exhibitions demonstrate how:
The first London Gallery Weekend (4-6 June) felt a very positive initiative, conveniently revealing the scale of London’s commercial art… Read More
I wait years for a really good dandelion painting to come along, then – on the same day – see… Read More
There’s a surfeit of new things to see just now, as pretty much every commercial gallery in London – and… Read More
Skarstedt’s fascinating new exhibition Painter / Sculptor brings together a sculpture and a painting by nine artists who, says the… Read More
No doubt some galleries will close, but to counter that there are some new developments. Sticking with the Mayfair zone:
There’s something enticing about knowing what artists look like, even though it isn’t usually relevant to the work. Performance artists… Read More
Who’s the most important Dutch photographer of the 20th century? I’m a fan of the largely street-based work of Ed van der Elsken (1925-90).
Kim Tschang-Yeul: ‘Waterdrops’, 1979 ‘If I were called in / To construct a religion’, wrote Philip Larkin, ‘I should make… Read More
Considering it’s fairly small (750,000) a lot of interesting work is made by artists in or from Winnipeg in Canada –
What is it like to be an octopus? Would that be a better model for how an AI might be regarded as ‘intelligent’ than assessing how its responses differ from the human? And what would that mean for the way people look at the world?
Normally, I see virtually everything. Now I see everything virtually. But it’s not all bad. Not surprisingly, the big galleries have upped their game: see for example….
In a playful yet pointed counter to the human-centric view of the world, London-based Italian artist Ludovica Gioscia collaborates with her cat, Arturo. I was pleased to obtain an exclusive interview with him just as they opened a major show at Baert Gallery in Los Angeles.
The annual Trinity Buoy Wharf Drawing Prize exhibition – virtual, of course, this year – includes plenty of drawings directly referencing the locked down circumstances of their making.