19 May 2013 • Mark Westall
A fully paid-up member of the rowdy YBA generation in the 90s, the artist made his name with his household gloss-painted life-size door paintings. On the eve of a solo show at Tate Britain, he talks about his agent Jay Jopling, his farm in upstate New York – and why he now confines his excesses to the studio
18 May 2013 • Mark Westall
From Da Vinci to a stuffed walrus to glass models of underwater worlds, a rich selection of objects is about to go display at the Turner Contemporary, as curator Brian Dillon explains
10 May 2013 • Mark Westall
‘What have I sacrificed? A white Transit van. I had it crushed into a cube and turned into art’
9 May 2013 • Mark Westall
It might have cartoon giraffes and marble staffies, but his show at Southend’s Focal Point Gallery is much duller than his experiments with naked five-a-side
29 April 2013 • Mark Westall
Decapitations, tooth-pullings, chargrillings … the lurid deaths of saints in paintings were what caught Michael Landy’s eye when he took over as artist-in-residence at the National Gallery. Charlotte Higgins visits his studio to play with his mechanised martyrs
27 April 2013 • Mark Westall
It’s 25 years since Mat Collishaw burst on to the art scene alongide Damien Hirst and Tracey Emin. And his work is still as appalling and as moving as ever
19 April 2013 • Mark Westall
John Riddy’s images of a tumultuous Sicilian city land in central London, with the Deutsche Börse Photography prize lining up nearby – all in your weekly artistic dispatch
18 April 2013 • Mark Westall
The Deutsche Börse Photography prize show draws on Google, space travel and Bertolt Brecht – but one artist stands head and shoulders above the rest
17 April 2013 • Mark Westall
Could these sweets, inspired by great artists, be the perfect thing to round off a stylish dinner party?
15 April 2013 • Mark Westall
As a child he was mocked for his love of model railways. Now Welsh artist Bedwyr Williams is at the Venice Biennale with his tribute to amateur astronomists. Stuart Jeffries meets a champion of the hobbyist
12 April 2013 • Mark Westall
With her new London exhibition featuring casts of the common garden shed, the artworld veteran makes us slow down our thoughts and attend to the world’s smallest details
6 April 2013 • Mark Westall
‘I’m not into what I call ‘plop’ art. Just putting things in places for the sake of it. They really need a reason for being there’
27 March 2013 • Mark Westall
Fabrice Hyber has filled the Baltic with vegetable men, mini-weather systems and a salt mountain. Is he just trifling with us?
25 March 2013 • Mark Westall
New York art provocateurs Bernadette Corporation tell Jason Farago the key to running a successful collective: dress for work, learn proper manners – and keep your hands to yourself
24 March 2013 • Mark Westall
From Andy Warhol in drag and Giles Duley’s ‘broken statue’, to John Coplans’s back and Gillian Wearing as her father
24 March 2013 • Mark Westall
Tattoo parlours are increasingly popular in Baghdad, despite opposition from traditionalists
4 March 2013 • Mark Westall
Yorkshire Sculpture Park, normally a haven of tranquillity, has been invaded by armed foxes and headless gunmen. Be mesmerised by the hilarious world of Yinka Shonibare
26 February 2013 • Mark Westall
William Turnbull was a giant of 20th-century sculpture. His son Alex, of the post-punk band 23 Skidoo, tells Stuart Jeffries what he learned when he set out to make a film about him
24 February 2013 • Mark Westall
Brooklyn-based photography prodigy Olivia Bee is only 18 and has already shot advertising campaigns for the likes of Nike, Converse and Hermès – and her ambition doesn’t end there
18 February 2013 • Mark Westall
Roy Lichtenstein deflated the macho mystique of American art and produced some of the most recognisable work on the planet. But does he go any deeper than surface gloss? Adrian Searle joins the dots at a new Tate Modern retrospective
17 February 2013 • Mark Westall
How best to get the artist’s attention? Offer him some chocolate
9 February 2013 • Mark Westall
Rauschenberg’s works are a visual equivalent of the great American novel, hinting in coded form at his affairs with the artists Jasper Johns and Cy Twombly
3 February 2013 • Mark Westall
An exhibition of objects amassed by the Design Museum over 24 years shows it has yet to shake off a bad postwar hangover. Perhaps a trip to Milan is in order…
