In a solo exhibition of the celebrated Patrick Caulfield (b. 1936 – d. 2005), Waddington Custot will look deeper at the artist’s practice across a variety of media, from oil painting to prints and his lesser-known and rarely exhibited drawings, with particular attention to Caulfield’s preoccupation with light and shade across various times of day.
The PUBLIC Gallery has just announced Mia Wilkinson’s second solo show at the gallery: ‘THIS IS NOT PORN’. It will exhibit a selection of Mia’s recent works (2016-18) exploring the depiction of the female nude in our media-obsessed age.
This is Gabriel Orozco first exhibition since his 2011 retrospective at Tate Modern. He will present new paintings, scrolls, sculptures, drawings and photographs made over the last year in Japan and Mexico.
BUFF is Hannah Knox’s first solo exhibition with Ceri Hand Gallery, featuring a series of new works that utilise fabric as a ground. Reducing painting to its primary components of colour, cloth and support- they range from pink linen and black PVC to day-glo orange raw silk. The works are folded, stitched, sprayed and draped, these are paintings barely and painted barely – this is painting in the buff.
Victoria Miro is to present a new body of work by Idris Khan in his third solo presentation with the gallery. Beyond the Black marks an important departure from Khan’s photographic based works and comprises a suite of large black paintings, a monumental site specific wall drawing and a series of works on paper, all of which consider the metaphysics of creativity.
Parasol unit foundation for contemporary art presents the first major UK survey of Iran-born, American artist, Siah Armajani, who is internationally renowned for his extensive public art commissions, which include bridges, reading rooms and poetry gardens.
The show comprises of a series of paintings, videos and generic furniture, forming an installation that evokes a transport terminal. For Meisenberg it is the experience of transition, of “being and becoming” that interests him. A space with no history and no future: blank, utopian, universal, desolate, similar to a white cube.
??This exhibition by leading British artist Tom Phillips consists of an entirely new body of work. With extraordinary delicacy Phillips has dissected his previously used, discarded plastic palettes and converted fragments of them into intricate oil collages mounted on panels.
This is the artist’s eighth exhibition at Stephen Friedman gallery and follows his recently unveiled monument to Richard Wagner in Leipzig and an installation at St Elizabeth Church, Kassel, to coincide with Documenta 13.
From visionary artist Alex Noble comes his first solo exhibition; Creatures from the Kaleidoscope. The highly anticipated art and fashion-fused exhibition will display Noble’s visceral aesthetic as he unveils an immersive mixed media landscape taking the spectator deeper into the visual forms of his world.
The collages in There Must Be More to Life Than This are built from single sources, usually from advertising from the 1940s-1970s, and speak at once to a longing for coherence and completion and the inability to ever truly achieve it.
‘I have always said that with any sculpture you have to be able to say, although this is not a ready-made, it could be one. That’s what a sculpture has to look like. It must have a certain relation to reality’