Time for One’s Selfie
2 March 2022 • Paul Carey-Kent
Want an art selfie? The most obvious chances are currently provided by the two mirror rooms in Tate Modern‘s Yayoi… Read More
2 March 2022 • Paul Carey-Kent
Want an art selfie? The most obvious chances are currently provided by the two mirror rooms in Tate Modern‘s Yayoi… Read More
11 February 2021 • Mark Westall
Gagosian has handed the reins of its space in London’s Britannia Street to Damien Hirst for a 12 months
23 February 2018 • Mark Westall
This exhibition will be first career-spanning exhibition of drawings and works on paper by Cy Twombly, organised in association with the Cy Twombly Foundation.
13 August 2017 • Tabish Khan
Matadors, decaying ceramics, calligraphy, razor wire, a house on fire, a marble mattress and over 1000 works of art.
27 July 2016 • Mark Westall
LUX is the first exhibition of Cy Twombly’s photographs in Ibiza, at the Museu d’Art Contemporary d’Eivissa (MACE).
3 June 2016 • Mark Westall
Midmed Sculptures is a performed presentation of canonical works of sculpture.
11 November 2015 • Paul Carey-Kent
But there’s also a room with five really big paintings – 10 feet high – of pots. The images somehow become more interesting for being on pots, even though they’re very flatly rendered, and the size gives the pots a grandeur which does something new.
2 November 2015 • Mark Westall
Gagosian Gallery is pleased to present a new series of paintings by Jeff Koons entitled Gazing Ball.In this series, Koons… Read More
3 October 2015 • Mark Westall
Gagosian’s New London gallery opens next week
3 July 2015 • Mark Westall
Discover Brown’s London Art Weekend’s programme of talks, art tours, recommended walks and the Artists menu at HIX Mayfair from today
30 September 2014 • Mark Westall
Today (September 30th, 2014) is the launch of GalleriesNow.net, “A revolutionary guide to the international world of contemporary art.”
11 April 2014 • VC Maurer
Eloquently curated in the elegantly crisp, open space which is Edwynn Houk, this show is a definite must see! Carruci’s photographic lens intrinsically captures the sacrifices, laughter, hardships, struggles, and peace which not only occur during the developmental stages between mother, child and family, but even more so, within the brave matriarch herself.
12 July 2013 • Mark Westall
Gagosian Gallery presents a major exhibition of photographs by Inez & Vinoodh, following ?their first exhibition with the gallery in Paris earlier this year.
25 May 2013 • Mark Westall
Gagosian Gallery will present a group of four tapestries entitled Abdu, Iblan, Musa, and Yusuf
21 February 2013 • Mark Westall
A cowboy walks into a bar and says to the bartender, “Who’s the asshole who owns this shithole?”
—Richard Prince
23 December 2012 • Mark Westall
Everybody likes objects; everybody likes different objects. It comes down to what objects you want to put in your art…I like them all: high, low, used, new, whichever works.
19 November 2012 • Mark Westall
They are not real landscapes. They are rather about an experience of miao wu [marvellous revelation]. Miao wu constitutes a… Read More
27 July 2012 • Mark Westall
As the title states, One Hundred Fish Fountain (2005) comprises nearly as many hollow bronze fish, cast from nature and suspended in the air on wires, as if swimming in deep water.
21 July 2012 • Mark Westall
As the international community flocks to London for the Olympic Games, Shizaru is delighted to host THIS IS LONDON, an exhibition featuring a cross section of contemporary art from London.
27 May 2012 • Mark Westall
Everything I do, I intend to make on a large scale… Size itself has its own impact, and physically we can relate ourselves more strongly to a big sculpture than to a small one
—Henry Moore
21 April 2012 • Mark Westall
Gagosian Gallery is to present an exhibition of Richard Avedon’s legendary photographic murals and related portraits.
7 March 2012 • Mark Westall
Thomas Ruff at Gagosian
1 March 2012 • Mark Westall
Gagosian Gallery is to present an exhibition of Roy Lichtenstein’s Landscapes in the Chinese Style.
12 January 2012 • Mark Westall
I suddenly got what I wanted. It was just a way of pinning down the joy of colour.