Review: Painting with Light @ Tate Britain
11 May 2016 • Tabish Khan
How did early photography influence painters of the time?
11 May 2016 • Tabish Khan
How did early photography influence painters of the time?
25 April 2016 • Tabish Khan
So it’s great to see Pablo Bronstein breaking the mould of traditional installation art. He’s brought dancing to Tate Britain, mixing Baroque with contemporary dance.
17 April 2016 • Mark Westall
This will be the latest in a series of celebrated British artists who have been asked to create a site-specific work in response to the imposing Duveen galleries which sit at the heart of Tate Britain.
29 March 2016 • Tabish Khan
Spinning mobiles, damaged instruments, Italian sculpture, Communism and hair cuts in zero gravity.
7 March 2016 • Syndicate
Gabriele Finaldi is right. The Tate shouldn’t have exclusive access to 20th-century art. It’s time to end these closed-minded historical art wars
6 March 2016 • Tabish Khan
This week’s Top 6 include Frank Auerbach, two pop ups , early space exploration , beetle shell skulls and trip hazard sculpture.
23 February 2016 • Mark Westall
Extensive retrospective in 2017 will cover six decades of artist’s work from early homoerotic paintings to recent LA pieces
29 November 2015 • Mark Westall
Thirty-five protesters occupy 1840s room at London gallery two days before UN climate change talks open in Paris
25 October 2015 • Tabish Khan
A disembowelled teddy, headlines, shimmering, 3D and Cuba
19 October 2015 • Tabish Khan
Monumental sculpture, landscapes, drawing, guns and beautiful birds
16 September 2015 • Paul Carey-Kent
Why might you miss the best Barbara Hepworth room at Tate Britain?
13 September 2015 • Tabish Khan
This week’s top 5 engages all senses, features unfinished works, documents the lives of those who suffered urban cleansing, paints flowers and records an interview.
7 September 2015 • Tabish Khan
This week’s top 5 features destruction, lifelike mannequins, bullet time photography, conflict and a centenary.
26 August 2015 • Mark Westall
London gallery opens ‘sensorium’ to explore whether taste, touch, smell and sound change the way people experience art
9 June 2015 • Mark Westall
We associate Barbara Hepworth with St Ives and Yorkshire, but often forget she was a driving force in international modern art. On the eve of a major Tate retrospective Tim Adams tells the dramatic story of this fascinating artist through key pieces spanning 40 years
18 May 2015 • Tabish Khan
This week’s top 7 contains witches, Victorian opulence, tomatoes, plasticine, drawing, kitsch and Russian battles.
1 April 2015 • Tabish Khan
A new art fair, a swing, One Direction, Damien Hirst merchandise and a made bed.
19 March 2015 • Mark Westall
You have probably heard about an Alexander Mc Queen Exhibition in London but this isn’t that one.
This is a fascinating insight into the practice of Alexander Mc Queen photographed by Nick Waplington.
1 March 2015 • Mark Westall
Tate Britain, London
In room after room of busts and bling, Tate Britain’s Victorian sculpture show brings out the best and worst of a patriotic era
7 January 2015 • Mark Westall
Over the next few week FAD will be showcasing some of the Artist Featured in the New Edition of The Catlin Guide New Artists 2015 Up first we have ALICE MAY WILLIAMS
29 December 2014 • Tabish Khan
This week’s top 5 features Turner, Schiele, Gothic art and literature, a history of Germany and the legacy of war.
28 October 2014 • Staff
There are certain challenges surrounding the display of video art and it is up to curators and art technicians to be practical and creative at the same time.
3 September 2014 • Paul Carey-Kent
It’s easy to find one doesn’t see much of our national institution’s permanent collections (they’re always there, what’s the rush?) and that can extend to the changing displays within them, even though they’re temporary.
1 July 2014 • Paul Carey-Kent
Whilst some commercial galleries have closed in response to tough times, the institutional response tends to be to rotate shows more slowly, and to rely on re-presenting existing holdings rather than on securing loans