Kraftwerk at Tate Modern, night four: The Man Machine
11 February 2013 • Mark Westall
When you get this close to Ralf Hütter, earthly realisations occur. Very earthly realisations
11 February 2013 • Mark Westall
When you get this close to Ralf Hütter, earthly realisations occur. Very earthly realisations
9 February 2013 • Mark Westall
Claerwen James’s new show marks her as a cultural force in her own right
9 February 2013 • Mark Westall
Rauschenberg’s works are a visual equivalent of the great American novel, hinting in coded form at his affairs with the artists Jasper Johns and Cy Twombly
8 February 2013 • Mark Westall
Amateur art by the former president obtained in hacked emails reveal a curiosity about the world – or, at least, his bathroom
6 February 2013 • Mark Westall
Look closely at the French artist’s abstract, pixellated works and the seeds of modernism come into focus
5 February 2013 • Mark Westall
She dated Marc Bolan, lived with Gloria Steinem – and captured a country in change. Ahead of a major retrospective, Barbara Nessim talks shoes, salsa and suffering
3 February 2013 • Mark Westall
The late photographer Eliot Porter has left a stunning record of the shrinking American wilderness
3 February 2013 • Mark Westall
An exhibition of objects amassed by the Design Museum over 24 years shows it has yet to shake off a bad postwar hangover. Perhaps a trip to Milan is in order…
2 February 2013 • Mark Westall
The worlds of fashion and fine art are often mutually exclusive – Sassen’s variety of approach enables her to straddle both
31 January 2013 • Mark Westall
Brutal yet beautiful, a new exhibition at Hauser & Wirth in London gives Nauman’s artworks a psychoanalytic twist
30 January 2013 • Mark Westall
This dazzling, frazzling light show takes visitors to the moon – and beyond. It’s a bit like being punched in the face, warns Adrian Searle
29 January 2013 • Mark Westall
Tate Britain show reveals unknown figurative side to revered German modernist who has influenced generations of artists
28 January 2013 • Mark Westall
Why do so many galleries use such pompous, overblown prose to describe their exhibits? Well, there’s now a name for it: International Art English. And you have to speak it to get on. Andy Beckett enters the world of waffle
• Have you been affected by IAE? Tell us your favourite examples in the comments below
27 January 2013 • Mark Westall
Frank Cohen pledges to show ‘art for everyone’ in Bloomsbury venture
24 January 2013 • Mark Westall
What will we be making shoes out of in 2080? And will our clothes come from fruit? One college course studies exactly that
24 January 2013 • Mark Westall
It’s great that Quinn is soppy about his son, but this towering idol confirms him as the father of reductive, attention-seeking art
23 January 2013 • Mark Westall
Work by US artist, who died aged 27 in 1988, is tribute to his favourite writer and is valued at between £4.25m and £6.25m
23 January 2013 • Mark Westall
Sir John Soane’s Museum installation by Clare Twomey to enshrine in individual bowls personal eulogies of the male public
22 January 2013 • Mark Westall
Manet’s wonderful portraits made everyone a someone. But the Royal Academy’s new exhibition shows that even great artists have their off-days
21 January 2013 • Mark Westall
The 300 drawings from the 1950s show a skilled and sensitive side to the artist – more Egon Schiele than pop art
20 January 2013 • Mark Westall
Former head of V&A says choice of new exhibitions is dictated by ‘box office and box ticking’
20 January 2013 • Mark Westall
Whitechapel Gallery, London
19 January 2013 • Mark Westall
Exiled from his home in Germany and at odds with the art scene of 1940s London, Kurt Schwitters’ initial experience of Britain was not the stuff of fairytales. But his story had a happy ending