
Paul’s Work of the Month
16 July 2026 • Paul Carey-Kent
Paul Carey-Kent chooses Kenjiro Okazaki’s richly layered abstract painting at Pace Gallery as his Work of the Month.

16 July 2026 • Paul Carey-Kent
Paul Carey-Kent chooses Kenjiro Okazaki’s richly layered abstract painting at Pace Gallery as his Work of the Month.

13 July 2026 • Yichun Huang
Yichun Liu reviews Close to Home at Baltic, where Tish Murtha’s powerful documentary photography is placed in conversation with Kuba Ryniewicz’s intimate contemporary portraits of Newcastle.

12 July 2026 • Rayya Fadlo Khuri
Michael Connor discusses AI, internet art, NFTs, privacy and why artists continue to engage with the technologies of the moment.

26 June 2026 • Lee Sharrock
Frida Kahlo’s paintings remain extraordinary, but does Tate Modern devote too much space to the icon that emerged after her death?

22 June 2026 • Shireen Ikramullah
Basquiat – Headstrong at Louisiana Museum of Modern Art brought together 50 works focused on the human head

2 June 2026 • Mark Westall
Mat Collishaw’s Last Meal on Death Row, Texas transforms final meals into haunting contemporary vanitas works

15 May 2026 • Rayya Fadlo Khuri
After crawling through these 5 fairs (Frieze, NADA, Independent, 1-54, Esther III) during New York Art Fair Week, I found larger themes..

15 May 2026 • Tabish Khan
The surreal, the spiritual and the stars.

6 May 2026 • Martin Sexton
Thomas Houseago’s ‘Esculturas’ at Jardín Banca March stages sculpture as something alive—raw, mythic

15 April 2026 • Paul Carey-Kent
Paul’s Work of the Month explores Sigmar Polke’s Untitled (1980–81), a layered painting blending Dada wit, classical reference and contemporary critique.

13 April 2026 • Yichun Huang
Entering the exhibition, the paintings on the wall seem to grow out of the soil.

19 March 2026 • Hannah Hayes-Westall
Giuditta Branconi’s generation-dividing show is the evidence we need that when it comes to image, perception is all about volume control.

26 March 2024 • Toby Üpson
To think about Maxmine Bichon’s first institutional exhibition analogously, I will begin with a quote from Tracy Chevalier’s novel Girl… Read More

14 March 2022 • Alexandra Zirinis
If you look closely, a strand of hair, an eyelash, and bristles of a paintbrush are all materials found in… Read More

14 August 2020 • Mark Westall
June Art Fair’s Special Online Edition is presented in partnership with Hauser & Wirth and ArtReview Magazine, works from established and emerging artists from a select group of 17 galleries are shown on a virtual platform.

14 December 2018 • Staff
This autumn season has undoubtedly been one of the best for anime releases this year with aesthetic masterpieces on the one hand and controversial storytelling on the other.

25 July 2014 • Mark Westall
Opening next week a great festival of Music, art and Culture.
26 November 2013 • Mark Westall
Art Review launch Art review Live with Absolut
5 September 2012 • Yvette
Two objects: one black trolley suitcase, with wheels, and telescopic handle pulled out. Beneath the handle an empty 1.5 litre PET water bottle. Its label removed, it is anonymous and unremarkable.
3 January 2012 • Rachel Bennett
Future Map 11 starts on January 12th, and in the 11 days leading up to the exhibition FAD will be profiling eleven of the thirty artists who have been brought together for the show.
26 August 2010 • Mark Westall
Tatton Park Biennial sticks contemporary art into one of North West England’s most rarefied late-Georgian country estates. With a theme… Read More
19 August 2010 • Mark Westall
we are taken into a somewhat sinister world of observation and invasive behaviour
14 August 2010 • Mark Westall
Faris Badwan from The Horrors, a dead on arrival indie band, channeling the ‘Chain and early Roy Orbisons’ hair, and… Read More

13 August 2010 • Mark Westall
Visitors to the Somerset House summer exhibition are invited to inspect the revered world of Masion Martin Margelia. Like the… Read More