
This text is not a cop out; this year’s Art Basel | Basel was a poor show, except for one artwork
17 June 2026 • Toby Üpson
Art Basel | Basel – this year’s edition of the fair was rather subdued

17 June 2026 • Toby Üpson
Art Basel | Basel – this year’s edition of the fair was rather subdued

16 June 2026 • Toby Üpson
Among the discoveries at Liste Art Fair 2026, two artists stood out. Kemil Bekteši and Coco Klockner

20 May 2026 • Toby Üpson
I enjoy Munich’s art scene, its ‘system’ as they say.

11 May 2026 • Toby Üpson
Various Others returns to Munich from 14th–24th May 2026, transforming the city into a platform for international contemporary art exchange.

27 April 2026 • Toby Üpson
A focused preview of the Venice Biennale 2026, highlighting five national pavilions that resonate most strongly—

13 February 2026 • Toby Üpson
I enjoy it when an arts thinglyness demonstrates what it says it’s doing. Such ‘formalisum’ is rare in artworks; rarer… Read More

13 January 2026 • Toby Üpson
I am suspicious of the raison d’être guiding art tech collaborations


4 December 2025 • Toby Üpson
the way she gives a fat-ass form to the dumb things that linger and replay over and over and over again in her mind is phenomenal

26 November 2025 • Toby Üpson
The Nicholson family has been having a moment.

3 November 2025 • Toby Üpson
frieze magazine kicked off its countdown of ‘The 25 Best Works of the 21st Century’.

17 October 2025 • Toby Üpson
Dashing is the only way I can do art fairs. (I am shit at small talk and social niceties.) I like to get in and out fast,

28 September 2025 • Toby Üpson
The careful science of scent occupies a central place in Thomas Abercromby’s multisensory installation Recovery Island.

1 September 2025 • Toby Üpson
What is an art/gallery week/weekend? Who are these events for? What do they aim to achieve, how?

15 August 2025 • Toby Üpson
Guy Oliver’s latest film, Millennial Prayer, is a somewhat nostalgic reflection on the lead-up to and the aftermath of the millennium

5 August 2025 • Toby Üpson
The new collection of paintings which compose Lotte Gertz’s solo exhibition, Layers of Silt, at Cample Line (Thornhill, near Dumfries) are dream-like.

11 July 2025 • Toby Üpson
Opening up the art world means exposing the systems that most don’t want to see.

8 July 2025 • Toby Üpson
Art, as I come to know it, is nonchalant in the face of novelty for its own sake, seeing the past as an enduring spark, continually resonant and generous

19 June 2025 • Toby Üpson
I want to recall my journey through the fair in writing, speaking about some of the stuff I saw.

18 June 2025 • Toby Üpson
Specifically young and emerging galleries — or those not as yet run ragged in an attempt to stay on the art world’s hamster wheel.

17 June 2025 • Toby Üpson
The perfect place to actually see and discuss the artworks on offer. Now I am no buyer, but if I were, June would be my place to splash out

17 May 2025 • Toby Üpson
Osamu Shikichi is a dancer — a choreographer and artist too.

13 May 2025 • Toby Üpson
Littlewhitehead expose the affect of ideological landscapes on the human body.

2 May 2025 • Toby Üpson
my laptop is an odd place to start a review of Amelia Barratt’s solo exhibition Out of Hours