The performance And Fight #ArtThing2015
2 January 2016 • Yvette
Yvette Gresle, What’s your #ArtThing of 2015?
2 January 2016 • Yvette
Yvette Gresle, What’s your #ArtThing of 2015?
9 December 2013 • Yvette
‘Album covers are illustrations of music. The image has a really interesting relationship to audio and to text. What I found with a lot of them, particularly funk, and soul, is that you get a real articulation of black identity.’
18 November 2013 • Yvette
‘I’m fascinated by things and places where you can sense what has been there despite the fact that it’s long gone’
7 November 2013 • Yvette
‘Every day I took a seashell and recorded it as though it were the ocean with words swimming in it. At the same time I practiced ‘She sells seashells on the seashore’. Then I thought what would happen if you turn the ‘she’ into ‘he’ and remove the letter ‘h’ from all the words’.
1 November 2013 • Yvette
‘I’m interested in characters that are not like real life characters, they’re sealed in these video worlds where they’re hyper-real’.
27 October 2013 • Yvette
‘If art and art production politicizes itself, it becomes political and ceases to be art’
19 October 2013 • Yvette
Sluice, which is artist and curator led, offers a welcoming counterpoint to the shopping mall sensations of Regent’s Park.
16 October 2013 • Yvette
‘This work is attached to tradition but at the same time it’s very edgy and contemporary’
8 October 2013 • Yvette
‘I was interested, thinking about Brando, in whether you could make a sexy painting. It’s something I wanted to try and do in some way.’
6 October 2013 • Yvette
‘I was looking a lot at desert modernism and layouts of cities in the States particularly’.
3 October 2013 • Yvette
‘I wanted to talk about inspiration, desire, commitment, and the determination these young people have’.
22 September 2013 • Yvette
‘I do find it very frustrating when people are too afraid to be anything than what is prescribed. I enjoy characters and looks that are on the edges’.
11 September 2013 • Yvette
‘Where is Africa on the stage of this “global” art world? What does it mean to talk about an “international art scene”?’
5 September 2013 • Yvette
‘I’m wary of art that is totally certain of itself’.
27 August 2013 • Yvette
‘For me, the strongest artwork is work you want to come back to again and again. I’m not interested in artwork that is a quick fix’.
19 August 2013 • Yvette
Zanele Muholi and Steven Cohen negotiate the politics of visibility and invisibility, and foreground the stakes and the risks attached to everyday life, and visibility and movement as a person who identifies as queer.
18 August 2013 • Yvette
‘You have to understand where it is you’re coming from before you can create something for the future’.
9 August 2013 • Yvette
‘Originally I saw myself as a painter, and started messing around with film and video as something to help move stuck paintings forward’
6 August 2013 • Yvette
‘Someone keeps on coughing. After a while I feel as though I might start coughing, as if embodying this strange, toxic, disconcerting environment’.
23 July 2013 • Yvette
‘I think I’ve always had my ears open for snatches of stories about people (hearsay, and little half-truth stories)’.
17 July 2013 • Yvette
‘Nothing can be taken for granted and we adapt, move and transform with the passing of time’.
11 July 2013 • Yvette
‘When women do take pictures of themselves they take loads and loads until they get the perfect image’.
9 July 2013 • Yvette
‘In contemporary portrait painting the identity of the person being portrayed gets lost. In a way, this is through the personality of the painter. This show is about the sitter. Who is the sitter? Who is the sitter represented by?’
18 June 2013 • Yvette
‘It’s quite an experience when you arrive there and see these monuments. It’s hard to explain’.