From Carolee Schneemann’s Meat Joy (1964) and Cindy Sherman’s Untitled #175 (1987) to Sarah Lucas’ Self-Portrait with Fried Eggs (1996),… Read More
Michael Clark: Cosmic Dancer is a multi-faceted portrait of the groundbreaking dancer and choreographer told by and through the eyes of the creative voices and faces the artist has collaborated with since he launched Michael Clark & Company, aged only 22, in 1984.
The Top 5 offline Art Exhibitions that you can now see Online includes Lights, health, mirrors, breasts and beauty.
New Sarah Lucas exhibition to feature ten sculptures that extend her long-term Bunny series into dynamic new forms.
The exhibition HONEY PIE will consist of five sculptures made from stuffed tights and found objects, alongside an equal number of works in bronze and concrete.
The first institutional exhibition dedicated to the legacy of the pioneering visual experimental artist, Carolee Schneemann, since her death
Taking the influential work of the late American artist Carolee Schneemann (1939–2019) as a point of departure, Up to and Including Limits: After Carolee Schneemann, illuminates how Schneemann’s artistic legacy resonates in the work of generations of artists succeeding her.
You still have time to catch “Sarah Lucas: Au Naturel,” at the New Museum in New York. The exhibitions is the first major survey in the United States of her work
As part of its Viewing Room programme, Simon Lee Gallery is pleased to present Family Guy. Art dealer and collector Kenny Schachter’s latest foray into the murky waters of curatorial practice positions his own work and that of his wife, Ilona Rich, and children, Adrian, Kai, Gabriel and Sage Schachter, alongside the artists his family grew up with, including Vito Acconci, Sarah Lucas, Rachel Harrison, Rudolf Stingel, Paul Thek, Franz West and Christopher Wool.
The New Museum is to present “Sarah Lucas: Au Naturel,” on view from September 26, 2018 to January 20, 2019. The first major survey in the United States of the work of British artist Sarah Lucas
Artists Douglas Gordon, Sarah Lucas and Robert del Naja (3D) create exclusive limited edition artworks to benefit Palestinian refugee children
Artists Douglas Gordon, Sarah Lucas and Robert del Naja (3D) have created exclusive limited edition artworks for the Hoping Foundation to benefit Palestinian refugee children.
NEON / LIGHT is a new exhibition opening next week featuring sculpture by Cerith Wyn Evans, Damien Hirst, Sarah Lucas, Peter Saville and Brian Eno. The show explores the use of light, predominantly neon, as a tool for text, image and planes of colour, often seductive but frequently disguising a more sinister narrative.
Art critic Tabish Khan brings you the top art exhibitions to visit this week.
There seem to be a recent convocation on the subject of breasts for eyes.
Sarah Lucas’s Father Time (2011) is one of her largest sculptures to date.
The Contemporary Art Society launches ‘Great Works’ a scheme to distribute great British contemporary art
Great Works, a new scheme from The Contemporary Art Society (CAS) was launched today at Anthony Gormley’s Studio in Kings Cross..
At this point in Frieze – that’s three days in for paupers, and five days for the elite – it is customary to begin to round up the highlights and to deliver a critical judgement.
But it was also about how much money you could throw at art until art died.
SCREAM DADDIO is the new book documenting Sarah Lucas’s exhibition at the British Pavilion, Venice Biennale 2015.
I thought a bit about whether I’m a feminist, as it’s something that often comes up. It will certainly be… Read More
Politics & Nature: unnatural and natural states of the world at 56th International Art Exhibition La Biennale di Venezia
Arriving in Venice for the vernissage days whilst elections were in full swing, I was surprised to be confronted by a politically charged Biennale. Colonialism, Capitalism, Socialism, contemporary slavery and migration were some of the themes running through the 56th Edition of La Biennale di Venezia, which opened not long after a period of several weeks during which more than 1,800 migrants – many of them African – drowned whilst attempting to flee across the Mediterranean to Europe..
There’s an awful lot of fretting about the state of the world in the Biennale’s 88 national pavilions, but little power, wit or bravado