‘How to Go’: Paul’s ART STUFF ON A TRAIN 209
12 April 2017 • Paul Carey-Kent
The well-respected Ibid, Limoncello and Vilma Gold galleries have closed their London spaces, in what may be a watershed moment for the art business.
12 April 2017 • Paul Carey-Kent
The well-respected Ibid, Limoncello and Vilma Gold galleries have closed their London spaces, in what may be a watershed moment for the art business.
11 February 2014 • Paul Carey-Kent
Most days art Critic Paul Carey-Kent spends hours on the train, traveling between his home in Southampton and his day job in Surrey. Could he, we asked, jot down whatever came into his head?
7 November 2013 • Yvette
‘Every day I took a seashell and recorded it as though it were the ocean with words swimming in it. At the same time I practiced ‘She sells seashells on the seashore’. Then I thought what would happen if you turn the ‘she’ into ‘he’ and remove the letter ‘h’ from all the words’.
8 October 2013 • Yvette
‘I was interested, thinking about Brando, in whether you could make a sexy painting. It’s something I wanted to try and do in some way.’
19 September 2013 • Mark Westall
BUFF is Hannah Knox’s first solo exhibition with Ceri Hand Gallery, featuring a series of new works that utilise fabric as a ground. Reducing painting to its primary components of colour, cloth and support- they range from pink linen and black PVC to day-glo orange raw silk. The works are folded, stitched, sprayed and draped, these are paintings barely and painted barely – this is painting in the buff.
16 August 2013 • Mark Westall
Ceri Hand Gallery are launching their inaugural annual Summer Fete at the gallery this Saturday featuring a spectacular table top sale with original art works for under £250, by over 50 artists.
23 July 2013 • Yvette
‘I think I’ve always had my ears open for snatches of stories about people (hearsay, and little half-truth stories)’.
10 July 2013 • Mark Westall
Implausible Imposters is a group exhibition that brings together new work by seven artists who invent fictional narratives for objects or people, giving voice to the inanimate, imaginary or dead.
11 June 2013 • Yvette
‘I tried to have a title and concept for the show that is very physical and about a sensory relation to our time: in that way all the artists connect’.
15 April 2013 • Yvette
‘If one doesn’t struggle with painting now then what’s the point of doing it. You’ve got to fight with it. There is always a struggle in my work with old and new’.
16 January 2013 • Yvette
Everyone has their own history within the bigger picture. I tend to use things or appropriate things, fit them to my own imagination and personal history.
24 November 2012 • Yvette
In some ways the huge burden of painting, its historical baggage, has been part of its attraction for me.
3 July 2009 • Mark Westall
3rd July – 8th August Ceri Hand Gallery is delighted to announce Henny Acloque’s first solo show in the UK…. Read More