The Top 5 Art Exhibitions to see in late October in London
21 October 2023 • Tabish Khan
Tabish Khan the @LondonArtCritic picks his top 5 art exhibitions to see in late October
Tag: The Bomb Factory
The Top 6 Art Exhibitions to see in London in late May
13 May 2023 • Tabish Khan
An animatronic stag, migrants, photorealism, a butcher’s, haunted portraits and landscapes.
Laurence Watchorn- Skin Crawl
4 October 2022 • Mark Westall
Laurence Watchorn is a young painter from South London who recently graduated from The Slade School of Art in 2022. He is also the c-founder of OOZ, a music collective based in South-East London.
Zongbo Jiang ‘Shared Planet’ an exhibition of digital film as an environmental wake-up call.
10 January 2022 • Mark Westall
Although Zongbo Jiang comes from a background in graphic and product design, his philosophy is more akin to sculpture and… Read More
Ally Rosenberg straddles ironic sincerity and sincere irony, decoding the fluid relationship between body, mind and inhabited space.
2 December 2021 • Mark Westall
In his debut solo show, On Solid Ground, Ally Rosenberg straddles ironic sincerity and sincere irony, decoding the fluid relationship… Read More
Journey Mercies, a solo exhibition by Nigerian artist Ken Nwadiogbu
6 July 2021 • Mark Westall
The Bomb Factory presents Journey Mercies, a solo exhibition by Nigerian artist Ken Nwadiogbu. The desire for young Nigerians to travel or migrate from their country provides the context for the exhibition.
The Top 5 Art Exhibitions to see in London right now
25 October 2020 • Tabish Khan
Snakes, witches, moths, architecture and photography.
What is that Really?
21 October 2020 • Paul Carey-Kent
‘What is that really?’ is often a sensible question once you’re used to the tricky ways of artists. Four current shows are evidence.
British sculptor and taxidermist Polly Morgan upcoming exhibition How to Behave at Home
13 August 2020 • Mark Westall
How to Behave at Home is an upcoming solo exhibition by British sculptor and taxidermist Polly Morgan. Social media and the COVID pandemic provide the context for new abstract sculptures that use the highly decorative hides of snakes and the trompe l’oeil designs in nail artistry to comment on the disparity between surface and reality.
