Hao Xing: Afterimages, Folklore and the Fiction of Reality
13 April 2026 • Mark Westall
Hao Xing’s paintings unfold as fragmented, speculative worlds where folklore, memory and fiction merge.
Tag: Contemporary painting
Hurvin Anderson Survey Opens at Tate Britain Spanning 30 Years of Painting
24 March 2026 • Mark Westall
bringing together around 80 works spanning more than three decades of painting.
The Riot or the Rave?
19 March 2026 • Hannah Hayes-Westall
Giuditta Branconi’s generation-dividing show is the evidence we need that when it comes to image, perception is all about volume control.
White Cube now represents Emmi Whitehorse
6 March 2026 • Mark Westall
An enrolled member of the Navajo Nation, Whitehorse is known for her vibrant, poetic paintings of landscapes
Exploring Mixed Media: Combining Paints for Unique Artistic Effects
31 August 2024 • Gaston La-Gaffe
Mixed media painting offers a world of possibilities for artists seeking to expand their creative horizons and push the boundaries… Read More
Irish Artist Robyn Ward Opens Highly Anticipated Exhibition at MAM Shanghai
4 April 2024 • Mark Westall
Irish conceptual artist Robyn Ward’s eagerly awaited solo exhibition has opened at the Modern Art Museum (MAM) Shanghai.
Marcelle Joseph Interviews Artist Bea Bonafini
15 June 2017 • Staff
Italian London-based artist Bea Bonafini creates sumptuous immersive environments that hover on the border between functionality and objet d’art, craftsmanship and artistry.
Marcelle Joseph Interviews Artist Grant Foster
4 May 2017 • Staff
After spending three months at the British School at Rome, Grant Foster returns to London in top form, presenting a solo show at Tintype Gallery.
Alice Browne Opens the Season at Limoncello’s New Shoreditch Space
5 October 2016 • Staff
By Marcelle Joseph Surrounded by large canvas filled with floating geometric shapes overlaying slashes and other transparent forms of colour,… Read More
PREVIEW: Simon Tarrant and Catrin Finch for WaterAid, London Canal Museum
4 May 2015 • daniel barnes
In an artworld seemingly swamped in commercial interests, it is refreshing to occasionally discover a genuine desire to help others
Eleanor Moreton: ‘I See the Bones in the River’
24 November 2012 • Yvette
In some ways the huge burden of painting, its historical baggage, has been part of its attraction for me.