Pension ABC at CFA Berlin turns temporary living into a seductive instability
19 January 2026 • Camille Moreno
But what it is really staging is a distinct poetic talent: the ability to make structural instability a vibe.
Caroline Achaintre (b. 1969, Toulouse, France; lives and works in London, UK) creates textile-based works and ceramics that blur the boundaries between abstraction, figuration and craft. Working primarily with hand-tufted wool, she builds large-scale wall hangings that resemble masks, faces or creatures—forms that feel at once playful and faintly unsettling. Colour, texture and pattern operate as emotional cues, giving her works a physical, almost bodily presence.
Achaintre’s practice draws on diverse references, from modernist painting and ethnographic artefacts to horror cinema and popular culture. Her textiles are deliberately unruly: loops vary in density, edges remain irregular, surfaces pulse with colour. This embrace of imperfection resists hierarchies between fine art and craft, positioning textile as a site of experimentation rather than tradition.
Across media, her work thrives on ambiguity. Figures hover on the edge of recognition, oscillating between character and abstraction. By combining humour with unease, and softness with graphic force, Achaintre creates objects that invite close looking while refusing fixed interpretation—works that sit comfortably in their strangeness, alive with texture, rhythm and quiet tension.
19 January 2026 • Camille Moreno
But what it is really staging is a distinct poetic talent: the ability to make structural instability a vibe.
5 January 2026 • Mark Westall
Connecting Threads a group exhibition that explores the links between marginalised materials and cultural hierarchies.
23 July 2018 • Mark Westall
NEW WORK PART II: MATERIAL – a group show forming the second edition in a three-part exhibition series has been extended its now on till Thursday this week
28 June 2017 • Paul Carey-Kent
Typical! You wait years for a solo show of knitted paintings to come along, then 2 open in the same week.
4 March 2015 • Paul Carey-Kent
Not rugged as in craggy or bewigged looks, but as in hirsuteness hung on the wall. Quite plausibly the world’s two leading exponents of the art rug are featured in current London shows.
21 June 2012 • Mark Westall
Simon Oldfield is to present Courtship of the Peoples; a large group exhibition of works on paper that explore the pursuit of affection and the idea of personal correspondence.