Image:Michelangelo Pistoletto The Cubic Meter of Infinity in a Mirroring Cube 1966–2007 Mirror, neon lights, plaster 500 x 500 x 500 cm Courtesy of Galleria Continua, San Gimignano / Beijing / Le Moulin Photograph: Oak Taylor-Smith
© 2011 Michelangelo Pistoletto
12th July 2011 – 17th September 2011
A new exhibition by leading Italian artist Michelangelo Pistoletto opens this summer at the Serpentine Gallery. Winner of the Golden Lion Award for Lifetime Achievement at the Venice Biennale in 2003, Pistoletto is acclaimed worldwide as a key figure in the development of conceptual art and as a founder of the influential Arte Povera movement.
For his exhibition at the Serpentine, titled The Mirror of Judgement, the artist has devised a labyrinth that guides visitors through the Gallery’s interior where they discover a series of sculptural works. He describes the labyrinth as ‘a winding and unforeseeable road that leads us to the place of revelation, of knowledge.’ Pistoletto’s maze alters the viewers’ understanding of the architecture and makes each one a fundamental part of the work itself.
Art Basel Conversations | Premiere | Artist Talk | Michelangelo Pistoletto from Art Basel on Vimeo.
Throughout his career, Pistoletto has worked as a theorist and activist using art to inspire and produce social change. In 2004 he announced the most recent phase of his work, the Third Paradise, an imagined new level of human civilization. The exhibition will include elements from the Third Paradise series and representations of four major religions; Christianity, Islam, Judaism and Buddhism.
Image:Michelangelo Pistoletto Inginocchiatoio 2008 Mirror: 250 x 200 cm; wooden kneeling-stool: 99 x 50 x 49 cm Courtesy of Galleria Continua, San Gimignano / Beijing / Le Moulin Photograph: Aurélien Mole © 2011 Michelangelo Pistoletto
Born in Biella, Italy, in 1933, Pistoletto began as a painter in the mid-1950s and in the 1960s received critical acclaim for his series of Mirror Paintings. These works broke down the traditional notions of figurative art by reflecting their surroundings and the viewer as a part of the image, linking art and life in an ever changing spectacle.
The exhibition at the Serpentine continues the artist’s exploration of participation. In the late 1960s, Pistoletto established The Zoo, a workshop open to artists, filmmakers, intellectuals, poets and the public that centred on collaboration and performance. The projects he worked on with The Zoo were closely entwined with his individual studio practice, with both combining material form, pictorial space and theatrical gesture. This focus on participation developed in 1998 with the creation of Cittadellarte: Fondazione Pistoletto, a centre for the study and promotion of creativity of all kinds. This interdisciplinary approach is an intrinsic part of his goal to unite the diverse strands of human civilisation through art.
