
Serpentine to present Georg Baselitz: Sculptures 2011 – 2015 this October.
Serpentine to present its first solo exhibition of Georg Baselitz (born 1938 in Deutschbaselitz, Saxony) from 5th October 2023 to… Read More
Serpentine to present its first solo exhibition of Georg Baselitz (born 1938 in Deutschbaselitz, Saxony) from 5th October 2023 to… Read More
HENI Editions, Fondation Beyeler and Serpentine have released Collages, a series of eight prints after some of Brian Clarke’s most acclaimed recent collages.
Opening next week Serpentine will present Web(s) of Life, the first major exhibition in the UK of artist Tomás Saraceno and… Read More
Serpentine to show Steve McQueen’s film Grenfell at Serpentine South from Friday 7th April – Wednesday 10th May.
This Autumn, Serpentine Arts Technologies and artist Gabriel Massan announce a collaboration leveraging the open-source blockchain Tezos on a new… Read More
Serpentine presents Queer Earth and Liquid Matters in collaboration with Stone Nest and QUEERCIRCLE, a two-day festival exploring transformation, queerness, the natural, the unnatural and the wild, as well as decolonial, Indigenous and submerged perspectives on the climate crisis.
This summer, Serpentine will present an exciting programme of events staged around Black Chapel, the 21st Serpentine Pavilion designed by Theaster… Read More
Serpentine is to present Alienarium 5, a major exhibition by leading experimental artist Dominique Gonzalez-Foerster. On display at Serpentine South from… Read More
Serpentine and the London Borough of Barking and Dagenham are partnering to present Radio Ballads, an exhibition showcasing a ground-breaking project that has embedded artists within core social care services and community settings across the borough.
A major exhibition of the work of Hervé Télémaque, the artist’s first in the UK opens this week at the… Read More
New York-based painter Jennifer Packer recalibrates art historical approaches to portraiture and still life, casting these enduring genres in a… Read More
The Serpentine has announced the appointment of Yesomi Umolu as Director of Curatorial Affairs and Public Practice. Umolu will oversee the Serpentine’s curatorial,… Read More
The Understory of the Understory dives down for two days exploring the teeming, entangled life of ground, land, soil and Earth. This free online festival from the Serpentine’s General Ecology team gathers artists, anthropologists, foragers and scientists
The Top 5 Art Exhibitions to see iN London include Horses, hands, penises, London, zombies and miniatures.
Earth perspectives, a new participatory artwork by Olafur Eliasson, which invites people to reflect on the co-existence of multiple world views, launches today, Earth Day: Wednesday 22 April 2020.
The Serpentine has commissioned a major new site-specific exhibition by artist Patrick Staff, (b. 1987, Bognor Regis, UK).
The Serpentine presents the first UK solo exhibition of works by Luchita Hurtado (b.1920, Maiqueti?a, Venezuela). The exhibition will trace the trajectory of Hurtado’s expansive, 80-year career and reveal the scale, experimentation and playfulness of her impressive oeuvre.
The Shape of a Circle in the Mind of a Fish with Plants is a multidisciplinary festival that brings together artists, scientists, writers, anthropologists and musicians for talks, performances, screenings and listening sessions that raise and address some of the most urgent questions facing all of us.
This week’s Top 7 exhibitions to see includes: Virtual reality, plywood, a moving tunnel, war, barrels, memories and darkness.
Undeflected by the fact that there’s an unusually high number of good shows on this August (see HERE) this month is traditionally the one in which to report on silly things.
Interaction and user experience design agency AllofUs has created a new webapp for the Serpentine Galleries to engage visitors.
This week’s top 8 includes creepy manikins, emerging art, Nordic sculpture, cartoons, torture, Ukraine, guns and landscapes.
But we have two openings this month, both quite conceptual though radically different, and I’ve assessed each one in turn:
The public will become the performing body, participating in the delivery of an unprecedented moment in the history of performance art.