
Tate Liverpool has announced the shortlist for Turner Prize 2022
Tate Liverpool today announced the shortlist for Turner Prize 2022: Heather Phillipson, Ingrid Pollard, Veronica Ryan and Sin Wai Kin.
FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London
Tate Liverpool today announced the shortlist for Turner Prize 2022: Heather Phillipson, Ingrid Pollard, Veronica Ryan and Sin Wai Kin.
Tabish Khan the @LondonArtCritic picks his top exhibitions to see right now, this time the focus is on painting. Each one comes… Read More
Tate Britain today unveils RUPTURE NO 1: blowtorching the bitten peach, a major new work by Heather Phillipson. Presented for the annual Tate Britain Commission
Heather Phillipson (b.1978, London) is the next artist to undertake the annual Tate Britain Commission. To be unveiled when the museum reopens, this major commission will be the latest response to the unique architecture and context of the neo-classical Duveen Galleries at the heart of Tate Britain.
The Top 5 Artworks to see outdoors this Summer include Drones, ice cream, a fly and a hare.
A new artwork by artist Heather Phillipson was unveiled today, Thursday 30 July, on the Fourth Plinth in London’s Trafalgar Square. It is the 13th Fourth Plinth commission since the programme began in 1998
Art on the Underground will present a major commission by British artist Heather Phillipson for the disused platform at Gloucester Road Underground station. Phillipson’s commission will be unveiled on 7th June 2018, and will fill the 80m platform at the station.
Visual artists often work with text, but at the moment two are going further by incorporating full blown poetry collections into their shows.
TTTT, a Jerwood Encounters exhibition curated by Sarah Williams, responds to recent developments and concerns amongst artists who are exploring sculpture and screen-based practices in new forms and materialities, in relation to language, technology, image dissemination, sentimentality and anxiety.
‘I tried to have a title and concept for the show that is very physical and about a sensory relation to our time: in that way all the artists connect’.
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