Artist Jongha Choi has created the De-dimension _ From 2D to 3D series to experiment with how shifting from the three-dimensional to the two-dimensional can save-space.
Jonah Choi practice is based around re-envisioning furniture and experimenting with space-saving techniques Via PSFK
Artist Statement
The history of the image has always aligned with the history of the human race. In our vast history, it has been understood and depicted in various forms. Nowadays, owing to scientific technology, it is developing in its form, from photography, film and even further towards virtual reality. Even the advent of 3D printing skills shake our fundamental notion of the image. Unlike the past, we are not only seeing the image as a means of reproducing objects, but also giving essential identity to the image itself. In other words, though the image still shows its visual effect on a flat plane, it is not just an expression of representation, but a making real an experience. In our current situation, in which modern society experiences the image, in relation to advertising, image circulation and the internet, why do we not question an images’ confinement to a flat surface. Why don’t we try to get more stereoscopic and attempt for direct experience with the image. My question started with this point and I tried several experiments in order to realise this idea from a personal point of view.
