Tate Modern and the Making of Frida Kahlo as a Global Icon
21 January 2026 • Mark Westall
The first major exhibition to examine how Frida Kahlo became one of the most recognisable and influential figures in global culture.
Ana Mendieta (1948–1985, Havana, Cuba) forged a powerful, elemental practice that bound the body to landscape, ritual and memory. Working across performance, photography, film, sculpture and earthworks, she used her own body as both subject and medium—pressing, tracing and embedding it into natural environments. Her iconic Silueta series records ephemeral gestures in mud, sand, fire and foliage, where the body appears as absence, imprint and return.
Mendieta’s work is rooted in displacement and belonging, shaped by exile, Indigenous cosmologies and feminist thought. Her interventions are often quiet yet forceful, fusing violence and tenderness, spirituality and resistance. By allowing her actions to erode, burn or dissolve, she emphasised impermanence as a form of truth.
Across her brief but influential career, Mendieta created a language of deep intimacy and cosmic scale. Her practice reclaims the female body as a site of power, connection and ancestral memory—one that resists erasure by merging self and earth into a single, enduring gesture.
21 January 2026 • Mark Westall
The first major exhibition to examine how Frida Kahlo became one of the most recognisable and influential figures in global culture.
15 December 2025 • Rayya Fadlo Khuri
Her work is very alive forty years after her passing. Entitled Back To The Source, this exhibition explores works from 1972 to 1985.
12 December 2025 • Mark Westall
Taichung Green Museumbrary, located in Taiwan’s second largest city, Taichung, will officially open to the public tomorrow, Saturday 13th December
16 August 2021 • Mark Westall
The Women Who Changed Art Forever: Feminist Art – The Graphic Novel tells the story of four pioneers of feminist art:… Read More
7 November 2018 • Paul Carey-Kent
Ana Mendieta would have been 70 this month (18 November 1948 – Sept 10 1985) had she not fallen 34 floors to her death at just 36.
10 August 2018 • Mark Westall
DRAG: Self-portraits and Body Politics is the first institutional exhibition to expand on the traditional representations of drag, involving drag queens, drag kings and bio drags from different generations and backgrounds.
8 August 2018 • Staff
I thought that the more interesting thread to tackle was that running from Gropius Bau’s Ana Mendieta and Philippe Parreno to Fleisch at the Altes Museum.
18 November 2013 • Tabish Khan
Every week Tabish Khan brings you five art exhibitions in London that you should visit. Each one comes with a concise review to help you decide whether it’s for you.
12 September 2013 • VC Maurer
The extensive and fascinating archive material will shed new light on the way the artist worked and documented her own artistic practice. Featuring super-8 films, photographs, slides, drawings, prints, objects and sculptures, Ana Mendieta: Traces will not only follow a chronology, but will look at the artist’s entire oeuvre through the lens of her own time, bringing it afresh to the beginning of the 21st century.
16 July 2012 • Mark Westall
This exhibition seeks to ask, “what is a crime?” The exhibition title, derived from an obsolete law still on the books in Los Angeles, points to the definitions of criminal behavior as sometimes absurd, other times poetic, and occasionally magical.