Curated for the fourth consecutive year by Alexie Glass-Kantor, Executive Director of Artspace in Sydney, Encounters will present institutional-scale installations and site-specific projects, with nine new works created specifically for this year’s show.
Shinji Ohmaki, The 8th Enku Grand Award Exhibition, The Museum of Fine Arts, Gifu, 2016
Courtesy of the artist and the gallery
The 2018 edition, which again will be installed along the four boulevards that run through the two exhibition floors of the show, will feature work by Isabel and Alfredo Aquilizan, Chou Yu-Cheng, Toshikatsu Endo, Ryan Gander, Subodh Gupta, Iván Navarro, Ramesh Mario Nithiyendran, Shinji Ohmaki, Jorge Pardo, Erwin
Wurm, Ulla von Brandenburg and Nyapanyapa Yunupingu.
Bringing together 12 artists from 11 countries and territories including Australia, Austria, Chile, Cuba, Germany, India, Japan, the Philippines, Sri Lanka, Taiwan, and the United Kingdom, Alexie Glass-Kantor’s focus for this year’s curation centers around inviting the audience to make contact with objects, artists and ideas. While some artworks will require the viewer’s participation to activate the work, others will reflect or mirror the body of the audience, directly implicating them into each work.
Information on individual presentations:
‘7 Curtains’ (2017), a new site-specific work by Ulla von Brandenburg (b. 1974) will be
presented jointly by Pilar Corrias and Meyer Riegger. Interested in theatre and absurdity, von Brandenburg’s installation consists of a sequence of seven monumental stage curtains, inviting the audience to perform by stepping into the color field.
Pilar Corrias, Meyer Riegger Ulla von Brandenburg, Two Times Seven, 2017 Courtesy of the artist and the galleries
Erwin Wurm’s (b. 1954) iconic series ‘One Minute Sculptures’ (2000-2018) will be jointly showcased by Lehmann Maupin, Galerie Thaddaeus Ropac and König Galerie. First performed in 1997, the ongoing series instructs the audience to “make one minute sculptures”, questioning and reflecting on sculpture itself and limiting the sculptures’ lifetime to 60 seconds.
neugerriemschneider will present ‘Untitled’ (2009, 2017) by Cuban artist Jorge Pardo (b.1963). Inspired by medieval manuscripts, Pardo has choreographed a series of objects that intersect architecture, sculpture and design, challenging our expectations of these categories.
‘Start. Stop’ (2008) by Subodh Gupta (b. 1964), who has received international attention for his large-scale monuments exploring subjects of Indian life and culture, will be presented by Arario Gallery. The installation consists of a large and slowly moving sushi belt with scores of tiffin boxes and gleaming pots, recalling the fate of the “dabbawallas” who transport tiffin boxes filled with home-cooked lunch on wheelbarrows in a rapidly changing urban environment.
Edouard Malingue Gallery will premiere a new performance by Chou Yu-Cheng (b.1976) titled ‘Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, www.agentbong.com, Cigarette, Dyson, Modern People’ (2017). Blurring the boundaries between public and private spaces, Chou Yu-Cheng explores the concept of hygiene, technology and the distribution of labor through sculpture, performance and recital.
Lisson Gallery will showcase ‘Potent motif of ambition (Dramaturgical framework for structure and stability)’ (2018) by British artist Ryan Gander (b. 1976), which considers technology and mechanics to rethink the body through new anthropomorphic forms.
Lisson Gallery Ryan Gander, Potent motif of ambition (Dramaturgical framework for structure and stability), 2018 Courtesy of the artist and the gallery
Exposing invisible forces, Japanese artist Shinji Ohmaki’s (b. 1971) ‘Liminal Air SpaceTime’
(2018), presented by Mind Set Art Center, takes a once solid object and dissolves it into kinetic sculpture, creating an illusion of air as form.
‘Left Wing Project (Belok Kiri Jalan Terus)’ (2017-2018), a new large-scale, site-specific installation by the artist duo Isabel and Alfredo Aquilizan (b. 1965, b. 1962 respectively) will be presented by Yavuz Gallery. Also activated by air, Isabel and Alfredo Aquilizan’s installation is concerned with the mass migration of people and the complex social and political realities of contemporary agrarian societies in Asia.
‘Gäna (self)’ (2018) by Nyapanyapa Yunupingu (b. 1945), one of Australia’s most celebrated Aboriginal artists, will be presented by Roslyn Oxley9 Gallery. This sculptural installation comprises powerful and totemic bark paintings and larrakitj poles, which were traditionally used as hollow coffins created to hold the bones of the dead.
Sydney-based Sri Lankan artist Ramesh Mario Nithiyendran (b. 1988) will create ‘Mud Men Volume II’ (2017) for this year’s show. Presented by Sullivan+Strumpf, Nithiyendran’s large-scale ceramic works are rough-edged New Age symbols that reference Hindu and Christian imagery and gender fluidity.
Presented by SCAI The Bathhouse, Mona-ha artist Toshikatsu Endo (b. 1950) will display ‘Void – Wooden Boat, Hong Kong’ (2009-2018), an 11-meter-long boat carved out of a single timber soaked in tar. Born to a family of shrine architects, Endo is interested in ritual involving the classical elements fire, water, earth and air.
Paul Kasmin Gallery will debut New York-based Chilean artist Iván Navarro’s (b. 1972) ‘Compression’ (2018). The new work transforms the globe of the Earth’s surface into a cube, essentially rendering its surfaces flat, challenging the notion that the globalisation offers a level playing field and that all things are equal.
Art Basel Hong Kong Private View (by invitation only) Tuesday, March 27, 2018 Wednesday, March 28, 2018
Vernissage Wednesday, March 28, 2018, 5pm to 9pm
Public Days Thursday, March 29, 2018, 1pm to 9pm Friday, March 30, 2018, 1pm to 8pm Saturday, March 31, 2018, 11am to 6pm: Hong Kong Convention & Exhibition Centre 1 Harbour Road Wan Chai Hong Kong, China www.artbasel.com/hong-kong
