
Company’s soul breaker Examines the Soul Through Acts of Making
26 January 2026 • Mark Westall
curated by Ken Castaneda, bringing together eleven artists exploring the material traces of inner life.
Ivana Baši? (b. 1986, Belgrade, Serbia; lives and works in New York, USA) creates sculptures and installations that probe the thresholds between body, technology and transcendence. Working with materials such as wax, stainless steel, alabaster, glass and resin, she builds figures that feel at once anatomical and otherworldly—forms suspended between becoming and dissolution.
Baši?’s practice draws on cosmology, philosophy, science fiction and the history of religious iconography. Bodies are fragmented, stretched or reconfigured, often suggesting post-human states where flesh, machine and spirit merge. Surfaces alternate between vulnerability and armour, translucency and rigidity, inviting viewers into an encounter that is both visceral and speculative.
Across her work, Baši? treats the body as a site of transformation rather than identity—a vessel for questioning consciousness, mortality and the possibility of transcendence beyond physical limits. Meticulously crafted and conceptually charged, her sculptures operate as meditative propositions, offering visions of existence that feel futuristic, fragile and profoundly human at once.

26 January 2026 • Mark Westall
curated by Ken Castaneda, bringing together eleven artists exploring the material traces of inner life.

24 April 2025 • Mark Westall
I Sought My Soul explores the phenomenon of new autonomy within a utopian vision of unity.

4 April 2025 • Tabish Khan
A house, maps, hands, fragile sculpture and a crucified frog.

22 July 2024 • Camille Moreno
The New York-based Serbian artist’s first institutional solo exhibition, Metempsychosis: The Passion of Pneumatics, comprises sculptures, drawings, and video spanning two levels and five rooms.

30 May 2023 • Mark Westall
Gathering to present Support Structures, a group exhibition bringing together artworks exploring the ‘fixed instability’ of the human condition, the transcendence of physicality and mortality.

31 October 2016 • Staff
Dreamlands: Immersive Cinema and Art, 1905–2016 focuses on the ways in which artists have dismantled and reassembled the conventions of cinema—screen, projection, darkness—to create new experiences of the moving image. The exhibition will fill the Whitney Museum’s 18,000-square-foot fifth-floor galleries, and will include a film series in the third-floor theatre.