10 to see at Art Cologne 2024
9 November 2024 • Camille Moreno
ART COLOGNE returns for its 57th edition, showcasing a diverse and impressive array of international art.
Author: Camille Moreno
Camille Moreno is a Costa Rican-American writer and curator based in London. Her writing explores the role of art within the mechanisms of social order by highlighting the relatable and quotidian elements of the extraordinary as well as the fantastic within the ordinary. She has written for cultural publications in Germany, the USA, and the UK.
Review: Michael Craig Martin at the Royal Academy of Arts.
23 October 2024 • Camille Moreno
In the face of the kinds of lofty expectations that accompany a survey at the RA, the Irish-born artist puts humour before sobriety.
Galli – See How You Get On.
20 August 2024 • Camille Moreno
I wouldn’t expect a bank to be worth writing home about, but sometimes life surprises you.
Christian Holze The Most Boring Artist I Know
1 August 2024 • Camille Moreno
Looking at the fronts and backs of Leipzig-based artist Christian Holze’s bilateral paintings-cum-objects currently on view at Berlin’s Reiter Gallery, it is not clear which side is the boring one and which one is fascinating.
Ivana Bašic – Metempsychosis: The Passion of Pneumatics
22 July 2024 • Camille Moreno
The New York-based Serbian artist’s first institutional solo exhibition, Metempsychosis: The Passion of Pneumatics, comprises sculptures, drawings, and video spanning two levels and five rooms.
Yoko Ono’s retrospective, Music of the Mind, feels like a regressive rollercoaster.
11 July 2024 • Camille Moreno
Lying on the floor of Tate Modern, I consider — at Yoko Ono’s bequest — the complicated and carnal affection… Read More
Yinka Shonibare talks to Camille Moreno about his new show Suspended States.
30 April 2024 • Camille Moreno
The newest UK solo show since decades by British-Nigerian artist Yinka Shonibare CBE RA hasn’t even officially opened yet when… Read More
REVIEW: Soft Power DAS MINSK
8 April 2024 • Camille Moreno
A shadowy silhouette of a hunched figure shows a woman on the move. Set against a map of “Germanie” and… Read More
When Forms Come Alive – Hayward Gallery #REVIEW
9 March 2024 • Camille Moreno
“Look, the Covid,” a visitor remarks to their companion in Spanish, and gestures towards a large, warted, pepto-pink sphere suspended… Read More
Andy Warhol The Joseph Beuys Portraits
25 January 2024 • Camille Moreno
The first and most charged picture met by the visitor in Thaddaes Ropac’s current exhibition, The Joseph Beuys Portraits —a series of… Read More
RE/SISTERS, A Lens on Gender and Ecology REVIEW
14 December 2023 • Camille Moreno
Reading the exhibition text at Barbican’s RE/SISTERS, A Lens on Gender and Ecology, one could get the impression that environmentalism and feminism were cut from the same collateral cloth
Review, Diego Marcon- Dolle
6 November 2023 • Camille Moreno
Four moles shelter in a fully furnished hollow. Two ailing children sleep, snug in their bed. They whistle and snore… Read More
Paul McCarthy, Them as Was Is
16 September 2023 • Camille Moreno
Paul McCarthy’s show at Max Hetzler Gallery goes from zero to one hundred (thousand). The exhibition is not for the faint of heart, but unlike irate audiences in Paris who shuddered at the site of an evocatively tapered Christmas tree, the Berlin public might be challenged for different reasons.