The Film London Jarman Award recognises and supports artists working with moving image and celebrates the spirit of experimentation, imagination and innovation in the work of UK-based artist filmmakers. The Award is inspired by visionary filmmaker Derek Jarman.
The Shortlisted artists for the 2025 Film London Jarman Award are: : Arwa Aburawa and Turab Shah, Karimah Ashadu, Onyeka Igwe, Morgan Quaintance, George Finlay Ramsay and Hope Strickland.
Harnessing the transportive power of film, work by artists in the 2025 Film London Jarman Award shortlist journey from the inner-city streets of Lagos and London to villages in Italy and Algeria. From a beautifully shot black and white film that conveys the timeless and ongoing search for belonging, to a flickering abstract meditation on the nature of physical labour, the Jarman Award presents some of the most vital and creative approaches to the moving image today.
Recognising an outstanding body of work, the Film London Jarman Award shortlist represents a selection of recent films by mid-career artists nominated from across the UK.
Artist duo Arwa Aburawa and Turab Shah take a cinematic approach to the ongoing legacies of colonialism and the power of community. Their film And still, it remains (2023) takes us to Mertoutek, a remote village in Southern Algeria’s Hoggar Mountains. Meditative shots of mountains and ancient rock paintings are intercut with quiet scenes from everyday life, as the film uncovers the lasting impact of French nuclear testing that took place nearby in the 1960s.
Often presented within sculptural installations, Karimah Ashadu’s recent film works include Machine Boys (2024), a portrait of the daring and macho world of motorcycle taxi drivers in Lagos. High speed tricks, roaring engines and thick dust result in an explosive film that explores issues of labour and identity, and ultimately reveals a poignant vulnerability that questions Nigeria’s patriarchal culture.
Moving across archival material, digital and analogue film formats, the work of Hope Strickland considers how relations of care might wrestle with systems of power and control. a river holds a perfect memory (2024) meanders gently across waterways in Jamaica, from a leisurely raft on the Martha Brae River to a night-time boat trip in Falmouth’s bioluminescent Lagoon. Shifting focus to the impact of industry on the waters of northern England, the film uses water to explore the entanglement of these supposedly disparate communities.
George Finlay Ramsay’s poetic works explore ideas of myth and ritual through an artful approach to 16mm analogue filmmaking. Flex, Wax & Glass (2023-2025) is a trilogy of works that document the culture surrounding a Catholic bloodletting rite unique to Southern Italy. The Age of the Son (2024) sees the son of a Calabrian lorry driver assume his late father’s mantle, leading the Vattenti procession during Holy Week while working through his own grief.
Moving image artist, writer and musician Morgan Quaintance brings together multiple media in an expanded art practice to produce richly layered films with an intense sensory impact. Efforts of Nature (2023) considers the passage of time and processes of change and dissolution from two distant perspectives: the existential level of the body and the planetary level of shifting geological conditions. Blending low resolution footage, 16mm film and satellite imagery, the film moves between nonfiction and kaleidoscopic abstraction.
Onyeka Igwe’s recent works draw on research and archive material to explore complex subjects with an evocative visual style. The Miracle on George Green (2022) presents a picture of the protests and collective resistance to the building of the M11 link road in Hackney. Born out of Igwe’s childhood memories and recurring walks through Hackney Marshes in lockdown, the work expands outward through archival materials to global histories of protest.
From colonial legacies hidden within museum collections to tales of modern day cowboys, films by the 2025 Film London Jarman Award shortlist are as diverse in subject matter as they are in style. The works raise pressing global concerns around labour, migration, environmental degradation and protest whilst continuing Jarman’s legacy of challenging cinematic and artistic conventions.
Now in its eighteenth year, the Jarman Award has built an enviable reputation for celebrating the practices of ground-breaking artist filmmakers working in the UK. Previously shortlisted artists include Heather Phillipson, Lawrence Abu Hamdan, Oreet Ashery, Duncan Campbell, Monster Chetwynd, Luke Fowler, Imran Perretta, Charlotte Prodger, Laure Prouvost, Elizabeth Price, James Richards, Sin Wai Kin and Project Art Works all of whom went on to be shortlisted for or to win the Turner Prize.
“The Film London Jarman Award is central to our support of artist filmmakers, showcasing the world of artists’ moving image to a wide range of audiences. The 2025 shortlist comprises work that is as diverse in subject matter as it is in style and I’m delighted that an even larger audience will gain access to films this year through our annual touring programme and an exhibition at Whitechapel Gallery.
Congratulations go to all shortlisted artists and I would like thank our funders, Arts Council England, as well as returning partner Whitechapel Gallery for their vital support.”
Adrian Wootton OBE, Chief Executive of Film London,
The winner of the Jarman Award will be announced in late November in London. Throughout Autumn, in the run-up to the event, audiences can explore the work of the shortlisted artists through a nationwide touring programme presented in partnership with a variety of cultural venues, dates to be announced in September. This year, for the first time, the shortlisted artists’ work will be presented as an exhibition at the Whitechapel Gallery, London from 18 November – 14 December 2025.
“This year’s shortlist for the Jarman Award is a powerful reflection of the richness and diversity of moving image practice in the UK today. The nominees each bring a distinct voice and vision, pushing the boundaries of form, storytelling, and experimentation. From intimate explorations of identity to bold political commentary, the works demonstrate an exceptional standard of creativity and innovation, reaffirming the vital role of artists’ film in contemporary culture.”
The Jury
The Jury who selected this year’s shortlist are: Matthew Barrington, Cinema Curator, Barbican; Shaminder Nahal, Commissioning Editor, Arts and Topical, Channel 4; Maryam Tafakory, 2024 Jarman Awardee; Gilane Tawadros, Director, Whitechapel Gallery; Nicole Yip, Director, Spike Island and Film London Board Member.
MORE: filmlondon.org.uk/flamin/the-jarman-award
About the artist
Arwa Aburawa and Turab Shah are an artist duo based in London. Their work is focused on gathering people together to talk, to learn and to create films. Works by Aburawa and Shah have been exhibited at LUX, Humber Street Gallery, Phillida Reid Gallery and as part of the Brent Biennial in 2022. Festival screenings have included CPH:DOX, Dokufest; London Short Film Festival (awarded Best Short Documentary in 2025) and Blackstar (awarded Best Short Documentary in 2024). Screenings of their work have taken place at Camden Arts Centre (2023), Serpentine Galleries (2023), BAFTA, Mosaic Rooms (2024), Nottingham Contemporary, Framer Framed and at the National Gallery of Art in Washington D.C (2024).
Karimah Ashadu is a British-born Nigerian artist and film maker. Her work has been exhibited internationally, including the 60th Venice Biennale, where she was awarded the Silver Lion for Promising Young Participant in the International Exhibition. Upcoming exhibitions include the Camden Arts Centre, London. Her work has been shown at Canal Projects and MoMA PS1, New York; Tate Modern, London, Secession, Vienna, Kunstverein, Hamburg, South London Gallery, London; Museum of Modern Art, New York; Centre d’Art Contemporain Genève and Trautwein Herleth, Berlin. Ashadu is the recipient of other awards such as the Prize of the Böttcherstraße in Bremen (2022) and the ars viva prize (2020). Public collections include MoMA, the Art Institute of Chicago, the City of Geneva Contemporary Art Collection, the Kunsthalle Bremen and the Federal Collection of Contemporary Art, Germany.
George Finlay Ramsay is an artist working with performance, poetry and analogue filmmaking. He was shortlisted for the Margaret Tait Award in 2023 and has presented work at PAF Olomouc, Czech Republic; Alchemy Film and Moving Image Festival, Scotland; Barbican, London; CTM Festival, Denmark; Beijing People’s Art Theatre, China; BFI Southbank, London; Camden Art Centre, London; CCA, Glasgow; Matadero, Spain; Mubi; NTS Radio; Rupert Residency, Lithuania and Nida Art Colony, Lithuania.
Onyeka Igwe is an artist and researcher specialising in moving image. Recent solo exhibitions include at Peer, London (2024); MoMA PS1, New York (2023); Highline, New York (2022); LUX, London (2021) and Jerwood Arts, London (2019). Recent group exhibitions have been held at Walker Art Gallery, Liverpool; Nigeria Pavilion, La Biennale di Venezia, Venice; Lagos Biennial, Lagos (2024); The Common Guild, Glasgow and South London Gallery, London (2023). In 2018, Onyeka Igwe joined Black Obsidian Sound System (B.O.S.S.), a QTIBIPOC sound system based in South London. B.O.S.S. received a nomination for the Turner Prize in 2021. Igwe’s works are part of the British Film Institute Collection and the Arts Council Collection (UK). She was nominated for the MaxMara Artist Prize for Women 2022-24, awarded the 2021 Foundwork Artist Prize; 2020 Arts Foundation Futures Award for Experimental Short Film and was the recipient of the Berwick New Cinema Award in 2019. Onyeka will present a solo exhibition for Art Now, Tate Britain in September 2025 .
Morgan Quaintance is a London-based artist and writer. His moving image work has been shown and exhibited widely at festivals and institutions including: MOMA, New York; Konsthall C, Sweden; David Dale, Glasgow; European Media Art Festival, Germany; Alchemy Film and Arts Festival, Scotland; Images Festival, Toronto; International Film Festival Rotterdam; and Third Horizon Film Festival, Miami. He was a 2024 MacDowell Fellow. He was the 2023 IFFR Short Film Nominee for the European Film Awards; the recipient of the 2022 ARTE Award at Kurzfilm Festival Hamburg; in 2021, the Best Documentary Short Film Award at Tacoma Film Festival, USA; the Explora Award at Curtocircuito International Film Festival, Santiago de Compostela; the UK Short Film Award at Open City Documentary Film Festival, London, the Jean Vigo Prize for Best Director at Punto de Vista, Spain, and the Best Experimental Film Award at Curtas Vila do Conde, Portugal; in 2020, the New Vision Award at CPH:DOX, Denmark and the Best Experimental Film award at Curtas Vila Do Conde, Portugal .
Hope Pearl Strickland is an artist-filmmaker working across experimental and documentary-based modes. Hope’s work has screened internationally at film festivals including the 59th New York Film Festival, BFI London Film Festival (2022), International Film Festival Rotterdam (2024) and Berwick Film and Media Arts Festival (New Cinema Awards, 2024). Presentations in exhibition spaces include showings at Arnolfini, Bristol; Hasselblad Center at Gothenburg Art Museum and Serpentine Galleries, London. Her work has been commissioned by organisations across the UK including FACT, Liverpool, Touchstones Gallery, Rochdale and Film and Video Umbrella. She has presented work at various academic conferences, including the Ruskin School of Art (2021), The University of Birmingham (2024). Hope was awarded the Aesthetica Emerging Art Prize in 2023.
