The Hammer Museum at UCLA to open Only the Young: Experimental Art in Korea, 1960s–1970s, a groundbreaking exhibition dedicated to Korean Experimental art (silheom misul) and its artists, whose radical approach to materials and process produced some of the most significant avant-garde practices of the twentieth century.
Ann Philbin, Director of the Hammer Museum, said,
We are tremendously excited to bring this exhibition to Los Angeles—a city with deep connections to Korean culture and home to the largest population of Korean descendants in the nation. The artists featured in this exhibition represent a particularly important and compelling era within the recent history of Korean art and add greater dimension to the study of art made around the world in the last 60 years.
Only the Young examines artistic production from an era of remarkable transformation in South Korea,
when young artists who came of age in the decades following the Korean War reflected and responded to the changing socioeconomic, political, and material conditions that accompanied the nation’s rapid
urbanization and modernization.
The exhibition centers on a network of key artists, including Ha Chong-Hyun, Jung Kangja, Kim Kulim,
Lee Kang-So, Lee Kun-Yong, Lee Seung-taek, and Sung Neung Kyung, who, in addition to creating
boundary-pushing works of art, pursued exhibitions, performances, publications, and public seminars,
often under the rubric of self-organized collectives. Porous in nature, groups such as the Korean Avant
Garde Association, Space and Time, and the Fourth Group, as well as nationwide exhibition platforms
such as the Daegu Contemporary Art Festival and international biennials, provided fertile grounds for
innovative—and often provocative—practices that broke definitively with those of their predecessors.
While the artists never formally announced a movement, the term “Experimental art” was first
historicized in a landmark publication by Kim Mikyung, which has since propelled a reexamination of
this influential but understudied group of artists.
Only the Young is thematically sequenced and features approximately eighty works across various
mediums, including painting, sculpture, ceramics, photography, video, installation, and film. It offers
visitors an unprecedented opportunity to experience the creativity and breadth of this generation of
Korean artists, illustrating how they harnessed the power of contemporary visual languages to explore
pressing issues shaped by an authoritarian state at home and a globalizing world beyond.
Hammer Museum Presents West Coast Premiere of Only the Young: Experimental Art in Korea, 1960s–1970s February 11th–May 12th, 2024
A full-color scholarly publication accompanies the exhibition, the first in the English language on Korean Experimental art, with contributions by Cho Soojin, art historian; Joan Kee, Professor of Art History, University of Michigan, Ann Arbor; Yoon Jin-sup, artist, curator and critic; and curators Kyung An and Kang Soojung. In addition to incisive new scholarship and photography of works drawn from
public and private collections across the globe, the volume also brings together translations of primary source materials published together for the first time, including critical and theoretical writing as well as artist manifestos. Together they offer a firsthand perspective on the ideas then shaping artistic discourse in South Korea.
Only the Young: Experimental Art in Korea, 1960s–1970s is co-organized by the Solomon R. Guggenheim Museum, New York, and The National Museum of Modern and Contemporary Art, Korea. The exhibition is co-curated by Kyung An, Associate Curator, Asian Art, Solomon R. Guggenheim Museum and Foundation, New York, and Kang Soojung, Senior Curator, The National Museum of Modern and Contemporary Art, Korea. The presentation at the Hammer is organized by curator Pablo José Ramírez with curatorial assistant Nika Chilewich.
