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Audible Garden, a ground-breaking solo exhibition by artist Jinjoon Lee.

The Korean Foundation for International Cultural Exchange (KOFICE) and the Korean Culture Centre UK (KCCUK) presents Audible Garden a ground-breaking solo exhibition by artist Dr. Jinjoon Lee.

Audible Garden, Jinjoon Lee, 2023. Site-specific wall painting, dimension 804 x 324cm (c) Korean Cultural Center UK. Photo by Sungbaek Kim.

Drawing deeply from East Asian philosophy and enriched by his experiences in Korea, Japan, and the UK, Lee employs an auto-ethnographic approach to delve into the profound transformations that have been brought about by the rampant spread of media and technology.

The exhibition is held on the occasion of the 140th anniversary of diplomatic relations between the
Republic of Korea and the UK.

How should we behold the urban landscapes of the 21st century, the offspring of modernity, through the lens of emotion? How does this inner landscape now differ from the experience of virtual space, and where do we run towards?

—Jinjoon Lee
Thrown and Discarded Emotions: Brainwave Scholar Stone, Jinjoon Lee, 2023. M10 plaster, sumi ink for calligraphy, dimension variable. Photo by Sungbaek Kim.
Daejeon, Summer of 2023, Jinjoon Lee, 2023. M10 plaster and sumi ink for calligraphy sculpture, turntable, two real-time web cameras, two-channel video and sound installation, dimension variable. Photo by Sungbaek Kim.

As a visionary spatial gardener, Lee’s approach to organising this exhibition begins with an exploration of the KCCUK building itself, which resembles the creation of a traditional Korean garden, where nature is nurtured according to its existing environment. He envelops the site-specific space with mural painting, sculptures, prints, video works, and audio-visual installations in a green filter that blurs the boundaries between interior and exterior landscapes, all framed by the building’s glass façade. Embracing the concept of Gesamtkunstwerk, seeking to create a total work of art, the experience culminates with interactive sound art that completes the multisensory environment.

Daejeon, Summer of 2023, Jinjoon Lee, 2023. M10 plaster and sumi ink for calligraphy sculpture, turntable, two real-time web cameras, two-channel video and sound installation, dimension variable. Photo by Sungbaek Kim

Using Asian landscape painting (Sansui), sound systems, and AI as his tools, Lee explores the liminoid space and the in-between state, delicately balancing the interplay between art and nature, sound and silence, and physical and digital realms.

Fresh Nature: Black Milk, Jinjoon Lee, 2023. Artificial tree branch, M10 plaster, sumi ink for calligraphy and golden leaf sculpture, dimension variable. Photo Mark Westall

Audible Garden is an artistic testament that transcends cultural borders, offering visitors an evocative and thought-provoking journey through the emotions entwined with the ever-evolving urban landscape of the 21st century. As we traverse the exhibition’s innovative realm, we are implored to reflect on how the technology advancements have fundamentally reshaped our perception of the world and the way we navigate our surroundings, as well as our aspirations for the future in a world defined by the pressing challenges of climate change and an epistemological crisis.

Mumbling Window, Jinjoon Lee, 2023. Site-specific installation. Green filter on 27m glass window with 4 resonance speakers, dimension variable. (c) 2023 Korean Cultural Center UK.

Jinjoon Lee, Audible Garden, – 13th October 2023, Korean Culture Centre UK, 1-3 Strand London WC2N 5BW Mon-Fri 10:00 – 17:30 leejinjoon.com/audible-garden

About the artist

Jinjoon Lee with his installation Hanging Garden at Korean Cultural Center UK, London. (c) 2023 Korean Cultural Center UK.

Dr. Jinjoon Lee FRSA, MRSS, born in Masan, Korea, graduated from Seoul National University with a BBA in Business (2001) and a BFA (2005) and MFA (2009) in Sculpture. He later earned an MA degree (2017) in the Moving Image pathway of sculpture from the Royal College of Art. Subsequently, he pursued a doctorate in Fine Art from the Ruskin School at the University of Oxford. His doctoral thesis, titled “Empty Garden: A Liminoid Journey to Nowhere in Somewhere” (2020), manifested as a 10-meter-long scroll, intermixing East Asian Garden aesthetics with existentialism, poetry, and autoethnographic research, offering a new theoretical perspective on liminal spaces. Lee has served as a guest artist at the ZKM Center for Art and Media and is currently an assistant professor at KAIST (Korea Advanced Institute of Science and Technology). @jinjoonlee_official

Walk-through of the exhibition Audible Garden

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