Abigail DeVille: Bronx Heavens, the artist’s first museum survey. - FAD Magazine

FAD Magazine

FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London

Abigail DeVille: Bronx Heavens, the artist’s first museum survey.

Portrait of Abigail DeVille by Tonje Thilesen
Portrait of Abigail DeVille by Tonje Thilesen

The Bronx Museum of the Arts will open Abigail DeVille: Bronx Heavens, the artist’s first museum survey which will examine the myths and realities of local, familial and ancestral histories and the convoluted notion of freedom in a country fraught with oppression and racism.

Bronx Heavens will feature DeVille’s work created over the past ten years, and examine different aspects of the borough’s 120 year history as a haven for immigrant and migrant communities, including for several generations of DeVille’s family who have lived in the area and were part of the Great Migration. Bronx Heavens is organized by Eileen Jeng Lynch, her first exhibition at The Bronx Museum as the new Director of Curatorial Programs.

Abigail DeVille Midsummer Event Horizon, 2014
Abigail DeVille Midsummer Event Horizon, 2014 Set design For the performance of William Shakespeare’s “A Midsummer Nights Dream,” directed by Peter Sellers and staged at the Stratford Festival, Ontario, Canada, July 11- September 20, 2014 Courtesy of the artist

Inviting visitors to discover and experience alternative narratives, DeVille has created an interactive installation for The Bronx Museum’s lobby, taking the form of an oral history project. DeVille describes the installation as based on the pyramid of Djoser which houses a space capsule that visitors are invited to enter, share their stories, and be transported. In keeping with her ongoing performance art practice that takes to the streets and engenders spirited community gatherings, the space capsule will travel on select days to outdoor cultural festivals, schools, and senior centers in the Bronx to collect stories. At the Museum, visitors will also be able to listen to the recordings from a large monolithic sculpture, a nod to Stanley Kubrick’s 2001: A Space Odyssey

An installation of vintage television monitors playing clips that reference the past century of Bronx history, further activate viewers’ senses and initiate a dialog about how the past is documented and re-presented over time. DeVille’s work thus focuses on the forgotten stories of marginalized people and places, contending with social issues, racial oppression, and lost histories through site-specific immersive installations.

A,bigail DeVille American Sublime, 2021
A,bigail DeVille American Sublime, 2021 (detail) 13 burnt trees, blue wash painted walls, cosmic black plastic tarps, mannequin legs 50 x 40 x 27 feet Photo credit: Installation of view of Brand New Heavies, curated by Racquel Chevremont and Mickalene Thomas (Deux Femmes Noires). Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon / Dan Bradica Studio.

Continuing the tradition of assemblage that recalls African-American visionary artists of the South such as Thornton Dial and Noah Purifoy, who constructed sculptures out of materials found after the Watts Rebellion in Los Angeles, DeVille similarly culls materials from the Bronx––such as architectural salvage, shopping carts, and everyday appliances––that evoke complex narratives and represent contradictory symbols of freedom. Through sourcing rubbish and found objects often from areas surrounding the exhibition site, DeVille’s part-archaic, part-Afrofuturist sculptures and installations transcend time, as cycles of rebirth and regeneration permeate her practice. 

Abigail DeVille, Dark Matter, No Matter, 2020. Various found materials, 77 1?4 in x 64 x 34 inches. Courtesy of the artist. Photo by Pierre Le Hors.
Abigail DeVille, Dark Matter, No Matter, 2020. Various found materials, 77 1?4 in x 64 x 34 inches. Courtesy of the artist. Photo by Pierre Le Hors.

Bronx Heavens includes eight new sculptures from DeVille’s Libertas series––inspired by the Roman Goddess of liberty who became the patron of freed enslaved people in Roman society––that will lead to a large-scale living room installation housing earlier paintings and sculptures related to familial histories. Akin to her breakout commission by Madison Square Park Conservatory, Light of Freedom—which drew inspiration from an 1876 photograph of the disembodied hand of Frédéric-Auguste Bartholdi’s Statue of Liberty when it was housed in the park, and comprised a monumental torch alight with mannequin arms that form a bright blue flame—a floor-to-ceiling monument of mannequin parts that are shrouded with a dark, punctured covering serves as an homage to the unknown inhabitants of the Bronx, referencing their invisible labor and layers of history that have been erased.

DeVille’s work weaves together the lost and living stories of the Bronx, functioning as a bridge that unites the past, present, and future of this abundant community. The exhibition reminds us that history is incomplete and ever-evolving, and by providing a way for the contribution of counter narratives suggests hope through a critical lens.

Director of Curatorial Programs Eileen Jeng Lynch

Abigail DeVille: Bronx Heavens is curated by Eileen Jeng Lynch, Director of Curatorial Programs. Previously, she was the Senior Curator of Visual Arts at Wave Hill, where she created exhibitions and programming that explore the intersections of nature, culture, and place, including commissioning artists on site-specific projects.

Abigail DeVille: Bronx Heavens, October 12th, 2022 – April 9th, 2023, The Bronx Museum of the Arts

About the Artist:
Abigail DeVille’s most recent solo exhibition was Light of Freedom, organized by Madison Square Park Conservancy (2020-21), and traveled to the Momentary at Crystal Bridges Museum of American Art, Bentonville, AR (2021) and the Hirshhorn Museum Sculpture Garden, Washington, DC (2021-22). Other commissions and solo museum shows include The American Future, Portland Institute for Contemporary Art, Portland (2018-19); Lift Every Voice and Sing (amerikanskie gorki) at Institute of Contemporary Art, Miami (2017-2018); Empire State Works in Progress (2017) at the Whitney Museum of American Art, New York; No Space Hidden (Shelter) at Institute of Contemporary Art, Los Angeles (2017-2018), and Only When It’s Dark Enough Can You See The Stars at The Contemporary, Baltimore (2016). 
Recent group shows have been held at the Swiss Institute, New York (2022); Pioneer Works, Brooklyn (2021); Wave Hill, Bronx (2019); National Museum of Women in Arts, Washington, DC (2018); Socrates Sculpture Park, Queens (2016), Sculpture Center, Queens (2014), El Museo del Barrio, New York (2011, 2014), CAMH, Houston (2014); the Bronx Museum of the Arts; (2013), The 55th Venice Biennale (2013), The Studio Museum in Harlem (2012, 2014); ICA, Philadelphia (2012); New Museum (2012); and the Stedelijk Museum (2011). DeVille was a 2018 United States Artists Fellow, 2017-2018 Rome Prize fellow at the American Academy in Rome, 2015 Creative Capital grantee, 2014-15 fellow at The Radcliffe Institute for Advanced Study at Harvard, 2013-14 Artist in Residence at The Studio Museum in Harlem, and 2012 Joan Mitchell Foundation grant recipient. DeVille teaches in the Interdisciplinary Sculpture Department at the Maryland Institute College of Art in Baltimore and at Yale School of Art. 



Related Posts

BroLab’s ‘DeadLift’ now on @Freight+Volume in NYC until February 8th

Together the artists Ryan Roa, Jonathan Brand, Adam Brent, Travis LeRoy Southworth, and Rahul Alexander make up BroLab based in NYC. Dead Lift refers to a situation that requires all one’s strength or ingenuity, the lifting of weight without momentum. BroLab starts a project by questioning how a space can be activated. What will create a conversation, what will solve a problem, what will be useful?

Trending Articles

Submit Your Work

Submit your work to be featured on FAD