Richard Aldrich’s work – painting, sculpture, and drawing – eludes any easy interpretive category

Modern Art has announced a new solo exhibition of work by Richard Aldrich at its Helmet Row gallery. This is Aldrich’s first solo exhibition with Modern Art.

Richard Aldrich, The Sorrow of Which, 2019, enamel on dibond, 213.3 x 144.7 cm, 84 x 57 ins. © Richard Aldrich. Courtesy the artist & Modern Art, London
Richard Aldrich, The Sorrow of Which, 2019, enamel on dibond, 213.3 x 144.7 cm, 84 x 57 ins. © Richard Aldrich. Courtesy the artist & Modern Art, London

Richard Aldrich’s work – painting, sculpture, and drawing – eludes any easy interpretive category. His constantly evolving formal vocabulary is as much concerned with the depiction of figures and situations in a pictorial sense as it is with the object-hood of the surface itself. In his exhibitions, abstract painting techniques reminiscent of Neo-expressionism sit alongside figurative drawings, mixed media assemblage, painted bronze sculptures, and found objects. Other times, Aldrich’s paintings comprise sections of the canvas cut away to reveal their timber backing, or fragments of previous works combined with spare, elliptical words. References within his work stretch across centuries of art history and popular culture. From the painterly approaches of French Post-Impressionist artists Vuillard, Bonnard and Roussel, to contemporary musical influences such as Nina Simone and the Velvet Underground, his works reveal a gathering of models and influences that, in the end, are both collectively owned and yet personally felt.

Aldrich’s exhibition at Modern Art will include sculptures and paintings, both old and new, made over the past decade, including a selection of recent paintings that have not previously been shown. This non-linear selection of works is characteristic of his approach to exhibitions, and of his practice more generally. Unconcerned with showing development or progression, Aldrich’s exhibitions tend instead to be a grouping of moments in time: previous works are reused as referential missives, both to passages in his life and to perspectives on cultural and art. As such, time and memory become a medium to be shaped and moulded, forming the central element of Aldrich’s complex and particular sensibility in which material exploration and conceptual systems are equally important tools in his efforts to understand, organise and communicate experience: visual, personal and historical.

Richard Aldrich 6th September – 19th October 2019 Helmet Row, EC1 Private view: Thursday 5 September, 6-8pm

About The Artist
Richard Aldrich was born in 1975 in Hampton, VA, and lives and works in New York, NY. Solo exhibitions of Aldrich’s work have taken place at such institutions as Museum Dhont-Dhaenens, Deurle, Belgium (2017); the San Francisco Museum of Modern Art, San Francisco, USA (2011), and the Contemporary Art Museum, St. Louis, USA (2011). His work has been included in group exhibitions at museums including The Museum of Modern Art, New York; Institute of Contemporary Art, London; Centro Galego de Arte Contempora?nea, Santiago de Compostela, Spain; and the Whitney Museum of American Art, New York. His work is in the collections of the Museum of Modern Art; the Whitney Museum; the San Francisco Museum of Modern Art; The Whitworth Art Gallery, University of Manchester, and the Smithsonian.

About Mark Westall

Mark Westall is the Founder and Editor of FAD magazine, ' A curation of the world’s most interesting culture' [PLUS] Art of Conversation: A tri-annual 'no news paper'