Quantcast
There’s an unofficial festival of photography in Kensington just now: Paul’s ART STUFF ON A TRAIN #145 - FAD Magazine

FAD Magazine

FAD Magazine covers contemporary art- News, Exhibitions, Interviews and cool art stuff reported on from London

There’s an unofficial festival of photography in Kensington just now: Paul’s ART STUFF ON A TRAIN #145

learoyd agnes
Richard Learoyd: ‘Agnes with Eyes Closed’, 2007 – Dye destruction print

There’s an unofficial festival of photography in Kensington just now. The V&A and the Science Museum both have substantial shows well into the overhang year to commemorate the bicentenary of Julia Margaret Cameron. Almost all the 200+ odd prints across the shows are from 1664-75, ie from when she was given her first camera at 48 to her emigration to what was then Ceylon).

The Science Museum also has a persuasive summary of Alec Soth’s work, with a room for each of his major projects to date, and the V&A adds a 19 photo retrospective of Richard Learoyd. Even the Natural History Museum weighs in with the Wildlife Photographer of the Year 2015-16. Cameron and Learoyd, in particular, share a lot. Both use demanding techniques which dictate the sizes of their prints (she the wet collodion process, which requires a glass plate to be coated with photosensitive chemicals and exposed in the camera when still damp, the glass negative returned to the darkroom to be developed, and prints made by placing the negative directly on to sensitised photographic paper and exposing it to sunlight; he the use of a room-sized camera obscura, so the subject, in another chamber with a lens dividing the rooms, is focused directly on to the paper). Both feature posed people as the subject of their best work without it ever really seeming that they are portraits. Both exploit variable focus strikingly. She was mocked for that, but we now expect such artistic effects. Either way, the energising effect is similar, and Learoyd’s work takes us back to Victorian spirit photography and the initial magical power of image capture.

Julia Margaret Cameron 1867 portrait of niece, Julia Jackson ? mother of Virginia Woolf

Julia Margaret Cameron: ‘My Favorite Picture of All My Works. My Niece Julia, April 1867’

Most days art Critic Paul Carey-Kent spends hours on the train, traveling between his home in Southampton and his day job in London. Could he, we asked, jot down whatever came into his head?

Categories

Tags

Related Posts

Beyond the Uncanny

Plenty of shows bring together paintings of figures and objects in unusual contexts or brought into unexpected conjunctions: the words ‘uncanny’ and ‘enigmatic’, ‘disturbing’ and ‘surreal’ are likely to be invoked. But, even if the paintings are good, you need more to turn such a display into a compelling whole. Two current exhibitions demonstrate how:

LONDON GALLERY WEEKEND

The first London Gallery Weekend (4-6 June) felt a very positive initiative, conveniently revealing the scale of London’s commercial art […]

Alice: Curiouser & Curiouser, a new exhibition at the V&A dedicated to Alice in Wonderland FAD magazine

Down the Rabbit Hole at the V&A

Alice: Curiouser & Curiouser, a new exhibition at the V&A dedicated to Alice in Wonderland, is a perfect way for this iconic London museum to reopen after lockdown 3.0

Dandelions

I wait years for a really good dandelion painting to come along, then – on the same day – see […]

Trending Articles

Submit Your Work

Submit your work to be featured on FAD