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Cy Twombly show at new London Gallery Eykyn Maclean Art Opening Monday 6th February 2012 - FAD Magazine

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Cy Twombly show at new London Gallery Eykyn Maclean Art Opening Monday 6th February 2012

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Cy Twombly Untitled 1975 Collage, graphite, tempera, and colored pencil on paper
55.88 x 75.57 cm Sonnabend Collection, New York © Cy Twombly Foundation

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Cy Twombly Untitled 1969 Gouache and wax crayon on paper 76.2 x 100.97 cm
Sonnabend Collection, New York © Cy Twombly Foundation
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Eykyn Maclean launches a new London gallery with Cy Twombly: Works from the Sonnabend Collection 7th February – 17th March 2012.

Eykyn Maclean specialises in museum calibre work by key Impressionist and 20th Century European and American artists. Christopher Eykyn and Nicholas Maclean established Eykyn Maclean in 2006 combining their 29 years of experience at Christie’s where they were co-heads of the Impressionist and Modern Art departments.
The launch of their new London gallery space follows on from the successful inauguration of their New York space in 2010. Previous exhibitions in New York include: Inside Giacometti’s Studio – An Intimate Portrait (2010) and Matisse and the Model (2011).

Marking the launch of Eykyn Maclean London, Cy Twombly: Works from the Sonnabend Collection brings together all eleven works by the artist from the collection of legendary gallerist and collector Ileana Sonnabend. The show is a rare opportunity to view works from several important stages in the artist’s life, including many which have never before been publically exhibited. The connection between Twombly and Sonnabend came through mutual friendships with Robert Rauschenberg.

“It is an honour to show work by one of the twentieth-century’s most original artists as seen through the discerning eye of one of the century’s most forward-thinking dealers and collectors,” says Kristy Bryce gallery Director and the show’s curator, “in effect the curator of this show is Sonnabend herself.”

Twombly (1928 –2011) drew upon ideas expressed in poetry, literature and classical mythology. Full of surface complexity and whirlwinds of tiny detail, his works convey an intense physicality and a real sense of the artist at work.

Untitled (New York City), (1956) is the earliest work in the exhibition. Vigorous gestures are built up layer upon layer, the surface revealing the strata of scrawls partially buried beneath each successive mark, resulting in a painting that is at once archaeology and abstraction.

Another five works from 1959 to 1962 continue to blur the line between painting and writing, with symbols, scribbles, and words occupying the same energised field. With references to cultural figures such as Vivaldi, mythological tales like the Triumph of Galatea, and geographical names such as Roma and Sperlonga, Twombly’s work from this period is rich with narrative evocations.

A key work in the show is Untitled (1969), a gouache and wax crayon on paper. Reminiscent of a blackboard, it is part of a series of works from the late 1960’s that comprise Twombly’s signature ‘grey paintings’.

The two works in the show from the 1970s – Untitled (1975) and Napoli (1975) – signal a new direction in his work, with the use of large-scale gestures in bold, vibrant colours, that he would go on to explore throughout the rest of his working life.
www.cytwombly.info/
eykynmaclean.com

A fully-illustrated catalogue will accompany the exhibition with essays by Annie Cohen-Solal, author of the recent biography of dealer Leo Castelli, and James Lawrence, a critic and historian of post-war and contemporary art and frequent contributor to Burlington Magazine.

Ileana Sonnabend (1914-2007)
Ileana Sonnabend looms large as one of the late twentieth century’s most influential dealers and collectors. Her vast art collection was built up over half a decade of collecting and she operated at the cutting edge of contemporary art with artists such as Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Andy Warhol, James Rosenquist and Claes Oldenburg. Sonnabend famously requested a Matisse instead of an engagement ring from her first husband Leo Castelli with whom she maintained a close alliance. She had an eye for progressive work showing performances such as Vito Acconci’s Seedbed and Gilbert and George’s Underneath the Arches. Through her galleries – Sonnabend Gallery in New York and Galerie Ileana Sonnabend in Paris – she brought postwar American art to Europe in the 1960’s, and later brought Americans up to speed with developments abroad. Wikki/Ileana_Sonnabend

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Cy Twombly Napoli 1975 Tempera, pencil, and pastel on paper 80 x 50 cm Sonnabend Collection, New York © Cy Twombly Foundation

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