
Urs Fischer to curate Gagosian’s Booth at Frieze Masters.
2 October 2024 • Mark Westall
Urs Fischer Curates Gagosian’s Booth at Frieze Masters in London with a Pairing of Late Sculptures by John Chamberlain and Furniture by Marc Newson
John Chamberlain (1927–2011, Rochester, Indiana, USA) transformed the debris of American industry into some of the most dynamic sculptures of the postwar era. Best known for his works made from crushed and twisted automobile steel, Chamberlain treated scrap metal not as refuse but as raw painterly material—bent, compressed and layered into dense, explosive compositions.
Although often associated with Minimalism and Pop, Chamberlain’s work is closer in spirit to Abstract Expressionism. His sculptures surge with movement, their folded planes catching light like brushstrokes in three dimensions. Colour remains central: factory paint—reds, blues, chrome, faded lacquer—operates as both surface and structure, lending the works a restless energy.
Throughout his career, Chamberlain experimented with scale and material, from monumental steel assemblages to foam, paper and photography. What remains consistent is his instinct for improvisation and rhythm. By collapsing sculpture and gesture into one act, he redefined how found material could hold emotion, force and formal intelligence—turning wreckage into something unexpectedly lyrical.

2 October 2024 • Mark Westall
Urs Fischer Curates Gagosian’s Booth at Frieze Masters in London with a Pairing of Late Sculptures by John Chamberlain and Furniture by Marc Newson

25 July 2022 • Mark Westall
Andrew Kreps Gallery to present On The Nature of Things, a group exhibition that surveys and traces key moments in… Read More

7 February 2015 • Staff
There is a great eclectic exhibition at Pace London titled ‘A Strong Sweet Smell of Incense’that takes as inspiration the character and career of celebrated art dealer and pioneer, Robert Fraser, curated by Brian Clarke.
19 June 2011 • Mark Westall
May 5th – July 8th , 2011 Gagosian Gallery, West 24th Street I think of my art materials not as… Read More