Leanne Ross, Dirty Dancing Flowers
18 November 2024 • Toby Upson
Leanne Ross’ exhibition Dirty Dancing Flowers transforms the clerical ‘white cube’ into a party, quite literally a karaoke party, one we are all invited to.
18 November 2024 • Toby Upson
Leanne Ross’ exhibition Dirty Dancing Flowers transforms the clerical ‘white cube’ into a party, quite literally a karaoke party, one we are all invited to.
4 November 2024 • Toby Upson
Indeed, it’s hard to compete with any of the artist, film maker, costume and stage designer, writer, poet, gardener, gay rights activist’s work.
26 October 2024 • Toby Upson
Now in its sixth year, the Art Car Boot Sale (Tramway, Glasgow) is something of an art fair antidote. One of Scotland’s biggest contemporary art events
21 October 2024 • Toby Upson
Time to pitch up and feel part of the community: Art Car Boot Sale, 2024
11 September 2024 • Toby Upson
I have been thinking about perception; how one comes to know the world and how artists work with this process of knowing.
7 September 2024 • Toby Upson
Cool and confident with a hint of performativity, the protagonists in these photos face out, with each of their mascara-laden lashes pressed towards the means of their filmic production: Rineke Dijkstra and her camera.
27 August 2024 • Toby Upson
I’m kicking the season off in Munich with Various Others. An “international format”, the event enlivens the city’s art scene through collaboration and reciprocity.
15 August 2024 • Toby Upson
To start with a bold statement: I do not like ‘the make of’ type exhibitions. Not moving nor sublime, wall texts and reportage never provide the romantic materialist in me with the space to get all wayward and dreamy; what I seek in exhibitions is never an ‘“interesting” …[full-stop]’.
12 August 2024 • Toby Upson
As the ‘vigintennial’ festivities get going, here are three things I would like to celebrate from this year’s EAF.
13 June 2024 • Toby Upson
Writing from this year’s Liste Art Fair, Basel two booths, each featuring a single series of artworks, presented artists who embrace the formalities of their chosen media to shine a new light on the flows of quotidian life and the habitation of domestic space.
26 March 2024 • Toby Upson
To think about Maxmine Bichon’s first institutional exhibition analogously, I will begin with a quote from Tracy Chevalier’s novel Girl… Read More
24 February 2024 • Toby Upson
Composed from a minimal range of surplus materials, Ghislaine Leung’s exhibition Holdings lovingly rescores the ‘infrastructures of dependency’ that animate… Read More
12 February 2024 • Toby Upson
Not a flash pan fad but thick formal plots. Alexis Hunter’s 10 Seconds images acts of revolt which demand we… Read More
21 November 2023 • Toby Upson
Balance. Fountain. Personally, the title of Nari Ward’s first UK exhibition is patterned with a joyous feel.
28 October 2023 • Toby Upson
It felt harrow. The weight of white-washed walls rising. Here, that is there, space was made thick, or disturbingly claustrophobic, through an empty, automated, ambience.
14 September 2023 • Toby Upson
Various Others is an initiative based on collaboration. Its format is simple: museums, galleries, artist-run-spaces, collectors, curators (etc. etc.) based in Munich (Germany) invite museums, galleries, artist-run-spaces, collectors, curators (etc. etc.)
9 September 2023 • Toby Upson
Let’s suspend the narrative. Toleranzfenster [Window of Tolerance], WangShui’s first institutional exhibition in Europe, is a super-real entanglement.
30 August 2023 • Toby Upson
Personally, I’m off to Munich for Various Others; an ‘international format,’ where art spaces across the city invite galleries, curators, artists and various other art entities from elsewhere to realise a project together as part of the 17-day celebration.
13 June 2023 • Toby Upson
It is hot. Things are heating up. Steaming. Basel Art Week marks the start of high summer; a time of… Read More
17 May 2023 • Toby Upson
Across two museological sites—the Municipal Museum of Contemporary Art Ghent (S.M.A.K.) and The FOMU Fotomuseum of Antwerp (FOMU)—Grace Ndiritu takes up something of the poetic sentiment flowing beneath Borges’ softly spoken words.
9 April 2023 • Toby Upson
The exhibition space is bare. White walls and concrete floors, regimented columns and weepy skylights. Skylights that clatter and pour;… Read More
3 March 2023 • Toby Upson
The gift of poison and bodies in affectful space. Iris Touliatou at Kunsthalle Basel.
16 December 2022 • Toby Upson
Decolonial Ecologies. Understanding Postcolonial After Socialism (Riga Art Space, November 1 2022 – January 15 2023)
1 December 2022 • Toby Upson
Nebojša Yamasaki Vulkelic’s Walking Within A Slow Future (Galerija Doma Omladine Beograda, November 15-17, 2022)is a touching exhibition. Curated by Lav Mrenovic, the show brings together a series of recent drawings, with an ambient soundtrack and poem.