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Phillips presents highlights of Evening & Day Editions Auction

Phillips has revealed highlights from the forthcoming Evening & Day Editions Auction, taking place in London on 23rd and 24th January.

Featuring over 240 works spanning the early 20th century to today, the sale brings together renowned printmakers and contemporary artists, including Banksy, Jasper Johns, and Jonas Wood. Additional highlights include works by Andy Warhol, including a dedicated section inspired by newspapers, alongside pieces by Gerhard Richter, Cy Twombly, KAWS, Yoshitomo Nara, David Hockney, and a selection of editions from The Herbig Collection. The full sale catalogue is now live online, with the public exhibition on view at 30 Berkeley Square from 17th January.

Jasper Johns, Corpse and Mirror (ULAE 169), 1976, Screenprint in colors, on Nishinouchi Kizuki Kozo paper watermarked Corpse and Mirror , with full margins. I. 93 x 119.5 cm (36 5/8 x 47 in.) S. 109 x 135.4 cm (42 7/8 x 53 1/4 in.) Signed, dated and numbered 10/65 in pencil (there were also 8 artist’s proofs in Roman numerals), co-published by the artist and Simca Print Artists, Inc., New York (with their blindstamp), framed. Estimate £ 60,000 – 80,000

“We are excited to kick off the new auction season with a dynamic and diverse offering of works spanning the Modern, Post-War, and Contemporary eras. From the surreal to the sublime, our auctions showcase innovation in edition making, from the ephemeral, avant-garde world of Marcel Broodthaers, through Pop portraits, to the enigmatic, graphic abstraction of Jasper Johns, Cy Twombly and Jonas Wood. Our sale brings together over 240 exceptional lots and we look forward to welcoming collectors and art enthusiasts to our Berkeley Square galleries for the public preview, opening on 17 January.”

Rebecca Tooby-Desmond, Specialist, Head of Sale, Editions, and Auctioneer
Cy Twombly, Roman Notes II, from Roman Notes (B. 22), 1970, Offset lithograph in colours, on heavy offset paper, the full sheet. S. 86.9 x 70 cm (34 1/4 x 27 1/2 in.) Signed, dated and numbered 79/100 in pencil on the reverse (there were also 10 artist’s proofs), published by Neuendorf Verlag, Hamburg, framed. Estimate £30,000 – 50,000

Leading the sale is Banksy’s Flower Thrower Triptych (Grey) (2019) [estimate: £100,000–150,000], one of the artist’s most iconic and socially charged images. Depicting a masked figure hurling a bouquet of flowers like a Molotov cocktail, the work juxtaposes themes of resistance and hope, becoming a global symbol of peace. First created as Love is in the Air for Banksy’s 2002 Los Angeles exhibition, the motif gained further significance when stencilled onto Jerusalem’s West Bank Wall in 2003, underscoring its enduring resonance as a timeless call for peace.

Jasper Johns’ Corpse and Mirror (1976) is a striking exploration of order and ambiguity, transforming the crosshatch motif into a mesmerising composition. Inspired by a fleeting glimpse of slanted lines on a passing car, Johns executed the work using 36 screens, layering wax-infused ink to create luminous depth and tactility. Produced in collaboration with Simca Print Artists, the screenprint exemplifies Johns’ seamless dialogue between painting and printmaking, inviting viewers into a meditative study of repetition, variation, and perception.

Jonas Wood, Four Majors, 2018, The complete set of four screenprints in colours, on Coventry rag paper, the full sheets. all S. 48.3 x 33 cm (19 x 12 7/8 in.) All signed with initials, dated and numbered 19/50 in pencil (there were also 10 artist’s proofs), co-published by WKS Editions, Los Angeles and Karma, New York, all framed. Estimate £40,000 – 60,000

Jonas Wood’s Four Majors (2018), is a vibrant quartet of screenprints reimagining iconic tennis courts in Melbourne, Paris, London, and New York. Rendered in bold, flat colours with simplified geometric forms, the works blur the line between reality and abstraction, transforming physical spaces into playful, imagined compositions.

Gerhard Richter, Goldberg-Variationen (Goldberg Variations), from Hommage à Cladders (B. 60), 1984, Unique oil painting on a phonograph long play record (Bach: The Goldberg Variations: Glenn Gould, CBS, 1982). 30.1 cm (11 7/8 in.) diameter Signed, dated and numbered 12/100 in black ink on the reverse, from the edition of 100 unique variants (there were also 20 artist’s proofs), published by Museumsverein Mönchengladbach, Germany, framed. Estimate £40,000 – 60,000

Gerhard Richter’s Goldberg-Variationen (Goldberg Variations) (1984) transforms a phonograph record of Glenn Gould’s 1982 The Goldberg Variations into a vibrant abstract composition, testament to Richter’s fascination with materiality and music. Swathes of cobalt blue and bright yellow paint merge and contrast, with glimpses of the record’s black surface emerging beneath.

KAWS, UPS AND DOWNS 2013, The complete set of ten screenprints in colours, on Saunders Waterford High White paper, the full sheets, with title page and the original black linen-covered portfolio box with printed artist’s name. all S. 88.9 x 58.4 cm (35 x 22 7/8 in.) portfolio 93 x 62.5 x 4.1 cm (36 5/8 x 24 5/8 x 1 5/8 in.) All signed, dated and numbered 7/100 in pencil (there were also 20 artist’s proof sets), published by the artist, New York, all framed. Estimate £30,000 – 50,000
Yoshitomo Nara, Hand Searching 2017 Polystone multiple painted in acrylic and coloured pencil.
31 x 12.2 x 14 cm (12 1/4 x 4 3/4 x 5 1/2 in.) Signed in black felt-tip pen and stamp-numbered 075/150 on the accompanying Certificate of Authenticity plaque, published by HOW2WORK, Hong Kong. Estimate £25,000 – 35,000

Additional highlights include pieces by Cy Twombly, Mel Bochner, KAWS, Ed Ruscha, Yoshitomo Nara, and David Hockney, alongside further works by Banksy.

Andy Warhol, Saint Apollonia (F. & S. 330-333), 1984, The complete set of four screenprints in colours, on Essex Offset Kid Finish paper, the full sheets. all S. 76.1 x 55.9 cm (29 7/8 x 22 in.) All signed and numbered 20/250 in pencil (there were also 35 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Dr. Frank Braun, Dusseldorf, all unframed. Estimate £25,000 – 35,000

The sale features 19 works by Andy Warhol, including Saint Apollonia. Inspired by a 15th-century painting attributed to Piero della Francesca, Warhol’s depiction retains much of the original’s detail, including the cracked tempera and gold leaf, while transforming the religious icon into a Pop aesthetic exploration of commodification and originality. Part of his broader engagement with Renaissance art in the 1980s, Saint Apollonia aligns with Warhol’s Details of Renaissance Paintings series, where he likened the cultural prominence of classical masterpieces to modern celebrity. Further Warhol highlights include his celebrated depictions of advertisements.

Andy Warhol, New York Post (Judge Blasts Lynch) (F. & S. IIIA.46) circa 1983 Screenprint, on Stonehenge Grey paper, with full margins (deckle on three sides). I. 28.6 x 33.6 cm (11 1/4 x 13 1/4 in.) S. 38.7 x 56.5 cm (15 1/4 x 22 1/4 in.) One of a small number of impressions (there was no published edition), with the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, initialled ‘T.J.H.’ by Timothy J. Hunt of the Andy Warhol Foundation and annotated ‘UP37.08’ and ‘A026414’ in pencil on the reverse, unframed. Estimate £8,000 – 12,000
Andy Warhol, Steaks 99¢ (F. & S. IIIA.68) circa 1986, Unique screenprint, on Moulin du Verger paper, the full sheet (deckle on all sides). S. 55.5 x 39 cm (21 7/8 x 15 3/8 in.) One of a small number of impressions (there was no published edition), with the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, initialled ‘T.J.H.’ by Timothy J. Hunt of the Andy Warhol Foundation and annotated ‘UP15.36’ and ‘A026421’ in pencil on the reverse, unframed. Estimate £10,000 – 15,000

Evening & Day Editions London, Viewing  17th January – 23rd January, Phillips, 30 Berkeley Square, London, Auction 23rd – 24th January 2025

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