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Devyani Saltzman appointed Barbican’s Director for Arts and Participation

The Barbican is thrilled to announce that Devyani Saltzman has been appointed its new Director for Arts and Participation. Saltzman is a Canadian writer, curator, public thinker, and cultural leader with over fifteen years of experience in cultural institutions, at the intersection between art, ideas, and social change. She will take up her new role in early July.

Devyani Saltzman

The appointment follows an extensive international recruitment campaign, launched in autumn 2023, for an exceptional individual to lead the Barbican’s Arts and Participation team, with the skills and vision to steer the Barbican towards its next creative chapter. This appointment completes the Barbican’s search for engaged and experienced Directors to drive the organisation’s ongoing transformation: to grow and diversify its audiences, better serve its public, and fulfil its commitment to inspire, create connections, provoke debate, and reflect the world we live in.

Working with Barbican’s Heads of artforms – across Cinema, Creative Collaboration, Immersive, Music, Theatre & Dance, and Visual Arts – Devyani Saltzman will develop an inspiring, distinctive, and forward-looking arts and participation programme. She will act as an enabler for the arts, championing the industry, and connecting within and outside the organisation. Working with partners across the Square Mile, she will also play an important role in delivering Destination City, the City of London Corporation’s flagship programme which sets out a vision for the Square Mile to become a world-leading leisure destination for UK and international visitors, workers, and residents to enjoy. The City Corporation is the founder and principal funder of the Barbican.

Saltzman was most recently Director of Public Programming at the Art Gallery of Ontario, North America’s fourth largest museum, where she worked with the programming team to shape the museum as a forum for discourse, reflecting all communities and the narratives of Torontonians. She was previously the Director of Literary Arts at the Banff Centre, a leading arts and creativity incubator, as well as a founding Curator at Luminato, Toronto’s international multi-arts festival. She is a published author and her work has appeared in The Globe and Mail, The National Post, the Atlantic, Room Magazine and Tehelka, India’s news magazine known for investigative journalism. She is the Vice Chair of the Writers’ Trust of Canada and President of the Toronto Arts Council. Saltzman has written and spoken extensively about social change and leadership for The Walrus Talks, the Canadian Arts Summit, the World City Forum. She hosted the podcast The Culture Shift and is a founding member of the think tank Public Imagination Network.

Saltzman has a degree in Human Sciences from Oxford University, combining sociology, anthropology, animal behaviour and evolutionary biology to look at the complex underpinnings of human experience. 

We are living through such an important moment in which cultural institutions have the opportunity to enter into a new way of serving their people and the public. I really believe this generation of leadership can envision not only the best of creative practice and programming, but embody a healthier way of thinking and working, especially for the communities we serve and our own staff. I’m honoured to be joining the extraordinary team at the Barbican. I can’t wait to work with them and London’s many communities, to create a space that is both international and deeply local: daring, trust-based, politically relevant, and at the forefront of artistic practice. I look forward to working with the team to present the most innovative and thought-provoking work, that addresses and makes space for the issues we are collectively facing and ensures the Barbican is authentically welcoming for all.

Devyani Saltzman, Barbican Director for Arts and Participation

Key to her vision for the next chapter of the Barbican is the potential to create a new type of ethos in public institutions that is truly in service to their people and public, in addition to presenting the best of cutting-edge programming. Her upcoming nonfiction book, EXITING: Towards a Future of Work that Serves Us All, comes out with Random House in 2025. It explores the trend of increasing pushback against systemic change in our institutions, the exiting of diverse leaders from organizations they were invited into, and what new healthier systems could look like. Her first book, Shooting Water, a memoir of family relationships and Indian politics, was called ‘A poignant memoir’ by The New York Times and received starred reviews in both Publishers Weekly and Library Journal.

Claire Spencer, Barbican CEO, said:

We are so thrilled with this appointment. As a Canadian with strong ties to artists and companies in South Asia, North America, and the UK, Devyani brings a wealth of experience, an international voice, and a new ethos of leadership based on collaboration, values and service to the public, both local and international. Her ideas and experience will be instrumental in our ongoing journey towards a revitalised Barbican, as London’s creative catalyst for arts, curiosity, and enterprise, and a truly welcoming and transformational space for artists, audiences, and communities.

Devyani Saltzman’s arrival completes Barbican’s senior team following the appointment of Philippa Simpson, Barbican’s new Director for Buildings and Renewal, and Beau Vigushin, new Director for Audiences. They will join Barbican CEO Claire Spencer and the Director of Development Natasha Harris and Sarah Wall, Head of Finance & Business Administration; as well as recently appointed Ali Mirza, Director of People, Culture, and Inclusion; and Director of Commercial Jackie Boughton.

Devyani will be a fantastic addition to the Barbican’s leadership team. The Barbican has always had a deeply international outlook, and I’m delighted that it continues to attract the best talent from around the world.

Tom Sleigh, Chair of Barbican Centre

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