FAD Magazine

FAD Magazine covers contemporary art – News, Exhibitions and Interviews reported on from London

MSCHF get first museum exhibition at Daelim Museum, Seoul.

MSCHF get their first museum exhibition at Daelim Museum, Seoul featuring over 100 artworks from the collective a follow on from their first gallery exhibition NO MORE TEARS, I’M LOVIN’ IT,  at Perrotin in November last year.

MSCHF: NOTHING IS SACRED, presented by the artist collective MSCHF at Daelim Museum, opened yesterday Friday, November 10th.

This exhibition, a collaboration between Daelim Museum and MSCHF, is the world’s first showcase by the collective, featuring over 100 artworks, including interactive games, objects, paintings, and performances. MSCHF, living up to their name, merge innovation with humor and social commentary in their works. Their creations come to life when the audience participates, bringing MSCHF’s artistic vision to fruition.

The exhibit is divided into five sections, each exploring the hidden meanings and nature of MSCHF’s creations:

  1. ARCHIVE: Digitally reveals eight magazines embodying MSCHF’s core values.
  2. MULTIPLAYER: Presents games with black humor, encouraging participation and competition on unusual topics.
  3. FRAUD FOR ALL, FRAUD FOR ONE: Displays works reflecting MSCHF’s critical view of contemporary society’s irrational structures.
  4. FOR EVERYTHING ELSE, THERE’S MASTERCARD: Examines the duality of commerciality and scarcity through limited edition artworks.
  5. NOTHING IS SACRED: Showcases controversial artworks that amplify the message within MSCHF’s creations.

Visitors can explore the world through MSCHF’s playful, satirical lens, discovering issues and gaining unique perspectives.

MSCHF, NOTHING IS SACRED, November 10th, 2023 – March 31st, 2024, Daelim Museum, Seoul 

About the artist

MSCHF is a conceptual collective developing elaborate interventions that expose and leverage the absurdity of our cultural, political, and monetary systems. MSCHF provokes widespread public response as a means of performance, directly within the environments it critiques. Ultimately, the collective itself represents an intricate subversion of corporate structure, that seeks to challenge every sphere with which it comes into contact.

Categories

Tags

Related Posts

Trending Articles

Join the FAD newsletter and get the latest news and articles straight to your inbox

* indicates required