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American artist Max Hooper Schneider’s first solo London exhibition to open at Maureen Paley & Studio M.

Max Hooper Schneider, Cereal Reaper Cave, 2023, mixed media – modelled plywood box, UV blown glass mushrooms, plaster, cereal and assorted matter, UV LED light, 59 x 50 x 38 cm – 23 1/4 x 19 3/4 x 15 in Photo: Paul Salveson

Maureen Paley is to present a new exhibition by American artist Max Hooper Schneider. This will be his first solo exhibition in London, installed both at the gallery and Studio M in Shoreditch.

Hooper Schneider works within the realm of art and science and divides his studio time between Los Angeles, Santa Fe and Belgrade. He received his Landscape Architecture MA from Harvard University in 2011, whilst also holding degrees in Social Sciences from the University of Chicago, Zoology at the University of Hawaii, and Marine Biology from Santa Monica College. The simultaneous understanding of material technologies and biological systems continues to foreground his artistic practice.

Max Hooper Schneider, 27th October – 17th December 2023, Maureen Paley & Studio M

About the artist

Max Hooper Schneider (b. 1982, Los Angeles, USA) currently works and lives in Los Angeles and Santa Fe. Selected solo exhibitions include: Keep on Rotting in the Free WorldMO.CO., Montpellier, France (2022); Born in a Mausoleum, Del Vaz Projects, Santa Monica, California, USA (2021) and Hammer Projects: Max Hooper Schneider, Hammer Museum, Los Angeles, California, USA (2019). 

Selected group exhibitions include: Death and the Devil: The Fascination with Horror, Museum Kunstpalast, Düsseldorf, Germany (2023); A Gateway to Possible Worlds: Art & Science-Fiction, Centre Pompidou-Metz, France (2022); Sun Rise | Sun Set, Schinkel Pavillon, Berlin, Germany; 58th October Salon, Belgrade Biennale, Belgrade, Serbia (2021); PermafrostMO.CO., Montpellier, France; You: Works from the Lafayette Anticipations Collection, Musée d’Art Moderne de Paris, Paris, France (2020) 16th Istanbul Biennial, Istanbul, Turkey (2019); Give Up the Ghost, 13th Baltic Triennial, Vilnius, Lithuania (2018); ARoS Triennial: The Garden, End of Times Beginning of Times, ARoS, Aarhus, Denmark; The New Normal: China, Art, and 2017, UCCA, Beijing, China (2017); Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, Denmark (2014) and Mongolia 360° 2nd Land Art Biennial, Ikh Gazriin Chuluu, Gobi Desert, Mongolian National Modern Art Gallery, Ulanbataar, Mongolia (2012).

His work is included in institutional collections such as the Hammer Museum, Los Angeles, Fondation Galeries Lafayette, Paris, MOCA, Los Angeles and the Rubell Museum, Miami.

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