FAD Magazine

FAD Magazine covers contemporary art – News, Exhibitions and Interviews reported on from London

Richard Phillips Most Wanted at White Cube Hoxton Square Private View Thursday 27th January 2011

Image:Richard Phillips Most Wanted 2010 Colour pastel on grey toned paper Five parts, each: 12 13/16 x 10 1/2 in. (32.5 x 26.7 cm)© the artist Photo: Todd-White Art Photography Courtesy White Cube
28 January – 5 March 2011
Most Wanted’, an exhibition of new work by Richard Phillips, his third with the gallery. Phillips’ strikingly distinctive paintings are drawn from found imagery, which he uses to address the marketability of our wishes, identity, politics, sexuality and mortality. He translates these images into drawings before executing large-scale oil paintings through a traditional process. He thus examines the iconic nature of pictures, which the media and art world use daily – each according to its own agenda.

For ‘Most Wanted’, Richard Phillips selected ten of America’s most instantly recognisable celebrities from the realms of television, cinema and music to create distilled portraits of young, powerful stars exhibiting their rehearsed, red-carpet expressions. Phillips’ two-metre high canvases of Chace Crawford, Kristen Stewart, Zac Efron, Miley Cyrus, Taylor Momsen, Dakota Fanning, Leonardo DiCaprio, Justin Timberlake, Taylor Swift and Robert Pattinson will line the gallery walls, and Phillips has depicted these famous faces against ‘step and repeat’ backdrops, familiar to film premieres and awards ceremonies, which display a variety of luxury brand logos. Each portrait features a bright, multi-colour halo, a reference to Richard Bernstein’s illustrations from ‘Interview’ magazine – the halo emphasises the electric stardom of these secular deities while simultaneously flattening their image, melding them into the brands they represent, as if on a decal or trading card.

Phillips uses a traditional oil-painting practice that refutes photorealism and, with its luminous colours and meticulous detail, evokes the methods of Northern Renaissance painters. As a constant cascade of celebrity imagery crowds our visual environment, the language of painting slows the rush to a dead stop, giving us time to consider our relationships with these icons and the vested interests that support them. A strong sense of these personalities, as well as the self-consciousness of their well-rehearsed images, is communicated through the nuanced flesh tones and expressions.

The celebrities depicted create for millions of people an experience beyond rationalisation. With this group of ten paintings, the artist proposes an immediate connection with mass audiences that have been categorically disenfranchised from the specialised interest of high art, inviting contemplation on the power of celebrity branding to shape the face of our future.




Related Posts

Tracey Emin opens major New York exhibition

Tracey Emin returns to New York with a major solo exhibition at White Cube, ‘Lovers Grave’ is the inaugural solo exhibition at White Cube’s New York gallery at 1002 Madison Avenue.

Trending Articles

Join the FAD newsletter and get the latest news and articles straight to your inbox

* indicates required