Norman Cornish: A Shot Against Time, The Pit Road and Other Paintings at Kings Place gallery from March 5th - FAD Magazine

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Norman Cornish: A Shot Against Time, The Pit Road and Other Paintings at Kings Place gallery from March 5th


Described as the master of the informal portrait and the unguarded moment, Norman Cornish has been capturing the world around his native Spennymoor in County Durham for almost eight decades. Widely acknowledged as one of the most important artists to have emerged from the region in the post-war years, Cornish (born 18 November 1919), won his first drawing prize at the age of four, was apprenticed at the age of 14 at the Dean and Chapter Colliery (colloquially known as the Butcher’s Shop) and soon afterwards enrolled at the Spennymoor Sketching Club. By the age of 47, after 33 years working in the pit, he took the great risk of living by his painting.

His “narrow world” as the novelist (and fellow miner) Sid Chaplin described it is one where below ground the shapes of the miners echoed the “musculature” of the pit, while above ground he recorded “pigeon crees and allotments, pit rows and pubs, fish and chip vans and market stalls” and “off-shift miners squatting on their hunkers and soaking in the sunshine and the good crack”.

Cornish’s achievements have been considerable. He has been the subject of several networked documentaries and films, first appearing in 1963 in Melvyn Bragg’s BBC’s documentary series ‘Two Border Artists’ with Sheila Fell, and later in 1989 alongside Stanley Spencer and Graham Sutherland. He has carried out countless commissions; exhibited widely and has work in many major public and private collections. In 2008 he was awarded an MBE and is now the sole distinguished survivor of the Sennymoor Settlement, that enlightened educational and cultural project of the late 1930’s that enabled a rich broadening of his artistic horizons. Without diminishing the harsh realities of life and work during those years, his paintings create a sense of time and place and for all that the mines have closed, his work continues to be an enduring testament to a community whose spirit survives triumphantly. In his autobiography Cornish wrote, “The collieries have gone, together with the pit road. Many of the old streets, chapels and pubs are no more. A large number of the ordinary but fascinating people who frequented these places are gone. However, in my memory, and I hope in my drawings, they live on. I simply close my eyes and they all spring to life”

The exhibition takes place the Kings Place Gallery from 5 March – 23 April 2010.

Via [Kings Place Gallery]



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