
Everything but the Kitchen Sink with Max Boyla
19 January 2026 • Kate McIlwee
Later, Max will tell me he sees the sink as a portal, and I feel invited through this threshold again on my way to meet him.
Max Boyla is a contemporary sculptor whose work investigates the emotional and symbolic charge of objects. Working primarily with bronze and metal, he transforms everyday items—chairs, benches, ladders, architectural fragments—into forms that feel both familiar and quietly estranged. Through subtle shifts in scale, balance and surface, his sculptures hover between function and metaphor, inviting reflection rather than use.
Boyla’s practice is rooted in process and physicality. Casting, patination and repetition are central, allowing traces of making to remain visible while lending his works a sense of endurance and weight. Objects often appear worn or paused, as if carrying the residue of human presence without depicting it directly.
Across studio works and public commissions, Boyla explores themes of absence, memory and human interaction. His sculptures operate as anchors in space—calm, restrained and open-ended—offering moments of stillness where meaning emerges through proximity, touch and time.

19 January 2026 • Kate McIlwee
Later, Max will tell me he sees the sink as a portal, and I feel invited through this threshold again on my way to meet him.

6 January 2026 • Mark Westall
Five art openings to kick off 2026, split neatly across two nights.

3 February 2025 • Mark Westall
This exhibition is part of an ongoing initiative at Hauser & Wirth Somerset that champions emerging and mid-career artists beyond their roster.