From June to September the city’s leading museums – the Museum of Contemporary Art and the Art Gallery of New South Wales, as well as Artspace and spectacular outdoor sites such as the old industrial Pier 2/3, the Royal Botanical Gardens and the stunning Cockatoo Island in Sydney Harbour will host more than 180 artists, with over 50 new projects being realised. A unique online venue has also been developed. http://www.bos2008.com/revolutionsonline
The impulse to revolt. Revolving, rotating, mirroring, repeating, reversing, turning upside down or inside out, changing perspectives. Through installations, performances, films, texts, an evolving online venue, conversations and other events, Revolutions – Forms That Turn articulates the agency embedded in forms that express our desire for change. Such literal and formal devices are charted for their broader aesthetic, psychological, radical and social perspectives. This Biennale is a constellation of historical and contemporary works of art that celebrates and explores these dynamics, both in art and life. It includes some of the twentieth century’s most revolutionary artists from Kasimir Malevich, Aleksandr Rodchenko, Luigi Russolo, Marcel Duchamp and Tina Modotti to Jean Tinguely, Gianni Colombo, Atsuko Tanaka, Joseph Beuys, David Medalla, León Ferrari, Jannis Kounellis, Mario and Marisa Merz, Bruce Nauman and
Hélio Oiticica.
Australian artists involved include Vernon Ah Kee, Richard Bell, Gordon Bennett, Destiny Deacon, Shaun Gladwell, Simryn Gill, Rosemary Laing, Tracey Moffatt, TV Moore, Mike Parr and Stuart Ringholt.
For this Biennale, new works by artists including Lene Berg, Gerard Byrne, Janet Cardiff and George Bures Miller, William Kentridge, Anawana Haloba, Pierre Huyghe, Brian Jungen and Paul Pfeiffer, amongst others, have been created, many of which are presented in the unique range of buildings on Cockatoo Island which was the location of a convict-built prison and later a shipyard.
REVOLUTIONS – FORMS THAT TURN
‘The “space” explored by this exhibition,’ says Artistic Director Carolyn Christov-Bakargiev ‘is the gap between the first part of the title – revolutions – which suggests a directly political and content-based exhibition, and the subsequent phrase – forms that turn – which suggests the autonomy and isolation of the art object, spinning on its own and detached from daily life, or the energy and potential latent in forms themselves (turns that form). The first term collapses (is over-turned) into the second, and within that gap perspective suddenly shifts. It is a space of rotation, confusion, revolt, insubordination, anarchy and disruption of order, a space of “revolution”.’
CAROLYN CHRISTOV-BAKARGIEV
Artistic Director
2008 Biennale of Sydney
